It is the fall of 1971.I have just walked into a room in a church basement, where there is a meeting of NARAL, the National Association for the Repeal of Abortion Laws, the organization created two years earlier by Betty Friedan.
Although abortion had been legal in New York since 1970, it was still illegal in most states.
I've moved to Syracuse—the first time I have lived outside the New York metropolitan area. I’m feeling a bit unmoored, not yet at home in my MFA program, and missing the political engagement I had experienced as a college student at Barnard and Columbia.
When I see my fellow attendees, I know, as Dorothy knew that she was not in Kansas, that I’m not in New York City anymore. Only two of the women look like anyone I would have ever had practice speaking to. One must be, like me, a student: She’s wearing jeans and a peasant blouse. The other is a Black woman with a luxuriant Afro, a jade green turtle necklace, a black skirt, and boots. The others seem like strangers. I had not believed that I would ever be in a room with anyone who wore flesh-colored pantyhose, or who wore her hair in what was called a pixie cut, but here I am. Here we all are.
The meeting is called to order by a short, dark, wiry, fast-talking woman. Quickly, we get down to tactics, which involve organizing travel to Albany and to Washington. Despite the legalization of abortion in New York, antiabortionists are tirelessly picketing the state legislature with gruesome pictures of mangled fetuses. We sign up both for counter-protests and to speak to our local legislators in person. Pennsylvania, a close neighbor state, will be another target of our lobbying. And we will be on the alert for actions in DC, targeting the Supreme Court.
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Denne historien er fra November 2022-utgaven av Vogue US.
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Nothing Like Her
Billie Eilish was adored by millions before she fully understood who she was. Now, as she sets out on tour without her family for the first time, she is finally getting to know herself.
Coming Up Rosy - The new blush isn't just for the cheek. Coco Mellors feels the flush.
If the eyes are the window to the soul, then our cheeks are the back door. What other part of the body so readily reveals our hidden emotions? Embarrassment, exuberance, delight, desire, all instantly communicated with a rush of blood. It's no wonder that blush has been a mainstay of makeup bags for decades: Ancient Egyptians used ground ochre to heighten their color; Queen Elizabeth I dabbed her cheeks with red dye and mercuric sulfide (which, combined with the vinegar and lead concoction she used to achieve her ivory pallor, is believed to have given her blood poisoning); flappers applied blush in dramatic circles to achieve a doll-like complexion, even adding it to their knees to draw attention to their shorter hemlines
Different Stages
A trio of novels spirits you far away.
The Wizard
Paul Tazewell’s costumes for the film adaptation of Wicked conjure their own kind of magic.
THE SEA, THE SEA
A story of survival on a whaling ship sets sail on Broadway. Robert Sullivan meets the crew behind the rousing folk musical Swept Away.
STAGING A COMEBACK
Harlem's National Black Theatre has been a storied arts institution in need of support. A soaring new home is shaping its future.
Simon Says
Simon Porte Jacquemus, much like his label, resonates with the sunny, breezy French South-but behind the good life, as Nathan Heller discovers, is a laser focus and a shoulder-to-the-wheel work ethic.
MOTHER SUPERIOR
The character of Rose in Gypsy is the acting Everest for many one-name acting legends. This fall, Audra McDonald takes it on.
WALK THIS WAY
THE FASHION FOR OUR FUTURE MARCH HAD A SINGULAR PURPOSE: TO GET OUT THE VOTE.
Written in Stones (and Etched in Metal)
Three years after taking the reins at Bottega Veneta, Matthieu Blazy unveils his first fine jewelry collection.