The set designer’s office is plastered with photographs taken from realworld space stations. Though G-LOC is set quite far in the future, the aesthetic is meant to be one that’s lived in. The Rheans prefer more mechanical and cruder approaches to technology, so the entire ethos behind the set design is to make the whole thing lived. The office is littered with tiny models of the set and countless rejected ideas. The set designers have spent hours poring over old archive footage of the Space Race, and are clearly inspired by the MIR and SkyLab, but more towards the end of those stations lifespan.
The set is busy; one small area is a full spaceship console, complete with switches, pilots chair and the like. It looks amazing once the lights are turned on. Another set is a generic control room, one that has been redressed more than once throughout filming. Finally, we make it to a classic sci-fi corridor. Actors Casper Van Dien and Tala Gouveia are gearing up for a day of action-heavy filming in the claustrophobic corridor that makes up much of the movie’s set.
Denne historien er fra October 2020-utgaven av Starburst Magazine.
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Denne historien er fra October 2020-utgaven av Starburst Magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Memoirs Of The Dead
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STAND BY FOR SHADO
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HEART and SOUL
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TRUTH BE TOLD
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Telephemera
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AN EYE FOR AN EYE
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telephemera
ALAN BOON DELVES INTO THE TELEVISION ARCHIVES TO UNEARTH ANOTHER LONG-FORGOTTEN CURIO...