Throw a stone from the deck of this holiday house designed by Aaron Paterson and Liz Tjahjana of PAC Studio, and you’ll hit a landmark.
Daly’s Wharf, Akaroa’s oldest surviving wharf, projects from the nearby seawall into Children’s Bay, terminating in a little shelter with an orange turret roof.
Paterson and Tjahjana – who designed the house in association with Dom Glamuzina of Glamuzina Architects – spent many hours on this wharf during the early design phase, contemplating how they could arrange a large, two-storey house across the adjacent building site in a way that preserved privacy, maximised views and respected the heritage neighbourhood. All while pushing a few boundaries.
There were a couple of other balls in the air. “We needed to break down the mass and form of the building,” says Paterson, who describes the site, immediately next to a busy public promenade, as narrow, with an unusually long elevation running parallel to the sea. “At the same time, we didn’t want to just spread out across the site, but to create something tall and vertical. Liz and I did a hell of a lot of elevational studies of what it would look like and how we would break it down.”
The result reads neither as monolithic or fishbowl like, but rather as a collection of ad-hoc buildings, with discrete, steeply pitched roofs that recede and advance across the site. Looking from the promenade, the form to the left with the double-gabled roof contains two upstairs bedrooms and a bathroom, with a bunkroom and a small, second living area below. To the far right, below a single-gabled roof, is the main bedroom, which overhangs a glass pavilion containing an open-plan kitchen and dining space.
Denne historien er fra December 2018-utgaven av HOME.
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Denne historien er fra December 2018-utgaven av HOME.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
The Past Is Present
In exhibitions at public galleries around the country, artists reflect on our collective, individual and cultural histories.
Why I Walk Carl Douglas
How the experience of walking reveals our world to us and informs our sense of our place in it.
My Favourite Building Chlöe Swarbrick
Built on Auckland’s Karangahape Road in the 1920s, St Kevin’s Arcade has served as vocational inspiration and a meeting place for the Green MP since she was a teenager.
Humble Special
PAC Studio designs a home on a tiny budget in the bush above the Kaipara Harbour.
Modern Love
Assembly Architects draws on lightweight Californian modernism to craftan elegant mountain retreat.
Family Tree
On a leafy site in the Waikato, Tane Cox crafts a subtle home for three generations
LOW PROFILE
Sometimes, strict covenants can be a blessing in disguise.
Fine Line
A house in a vineyard by Stuart Gardyne shows country living need not be rustic.
Elegant Shed
Ben Daly rehabilitates a farm building with a long family history on the Canterbury Plains.
Perfect Pitch
An encampment by an inlet casually inhabits land at Tawharanui.