Our Best Small Home does more than overcome a difficult site – it makes it into something rather special indeed.
The vertiginous hills and dizzying slopes of Wellington are full of human interventions. Rows of homes perched precariously atop rugged slopes like so many gulls facing into the wind. Some houses seem to hold on tight and peer cautiously over plummeting cliffs, while others appear to carelessly dangle their feet over the edges of deep ravines.
Holly Beals and Grayson Gilmour’s new home, overlooking Island Bay and Cook Strait, is such a place. At the end of an anonymous cul-de-sac, past a gate you nearly miss, and then down a narrow walkway of many, many steps, you find it with its back to the hill, its feet dangling and face presented to the wind. As it gazes across Island Bay and out to sea, the house also appears to float among trees. You can’t help feeling like it’s a kind of magic trick.
Designed for the couple by Caro Robertson and Tim Gittos of Wellington’s SpacecraftArchitects, Beals and Gilmour’s home is a clever but also playful response to a steep and exposed site you’d imagine few people – even Wellingtonians – would have taken on quite so enthusiastically.
Holly, an industrial designer, and Grayson, a musician and composer, found the section on Trade Me three years ago. “It wasn’t advertised very well at all,” says Beals. “There was this terrible picture on a grey, horrible day and a heading that said ‘Challenging, but not impossible’,” she says.
Denne historien er fra April 2019-utgaven av HOME.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra April 2019-utgaven av HOME.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
The Past Is Present
In exhibitions at public galleries around the country, artists reflect on our collective, individual and cultural histories.
Why I Walk Carl Douglas
How the experience of walking reveals our world to us and informs our sense of our place in it.
My Favourite Building Chlöe Swarbrick
Built on Auckland’s Karangahape Road in the 1920s, St Kevin’s Arcade has served as vocational inspiration and a meeting place for the Green MP since she was a teenager.
Humble Special
PAC Studio designs a home on a tiny budget in the bush above the Kaipara Harbour.
Modern Love
Assembly Architects draws on lightweight Californian modernism to craftan elegant mountain retreat.
Family Tree
On a leafy site in the Waikato, Tane Cox crafts a subtle home for three generations
LOW PROFILE
Sometimes, strict covenants can be a blessing in disguise.
Fine Line
A house in a vineyard by Stuart Gardyne shows country living need not be rustic.
Elegant Shed
Ben Daly rehabilitates a farm building with a long family history on the Canterbury Plains.
Perfect Pitch
An encampment by an inlet casually inhabits land at Tawharanui.