ROSE OF JERICHO has for years been regarded by conservationists as a trade secret. Not for much longer, however: the materials and methods used to make the company's traditional paints and lime mortars have benefits that are aesthetic, as well as functional, a fact that is making them attractive to a much wider audience. From premises in Hollywell in Dorset, the company has been at the forefront of the revival in traditional materials for more than 30 years.
Setting it apart from mainstream paint makers is its distinctive approach: the skills, recipes, and ingredients involved in the making of its paints and distempers are as true as possible to a time-honoured tradition. Only ingredients available in the 18th and 19th centuries are used—with a few adjustments. 'Whereas distemper paint was traditionally made of rabbit-skin glue, it's now based on gelatine,' explains Tom Balch, a director of the firm. 'Our artist-quality powder pigments are largely derived from natural earth or minerals.' As a result, everything produced is sustainable, natural, and has a minimal environmental impact.
Denne historien er fra April 20, 2022-utgaven av Country Life UK.
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Denne historien er fra April 20, 2022-utgaven av Country Life UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Kitchen garden cook - Apples
'Sweet and crisp, apples are the epitome of autumn flavour'
The original Mr Rochester
Three classic houses in North Yorkshire have come to the market; the owner of one inspired Charlotte Brontë to write Jane Eyre
Get it write
Desks, once akin to instruments of torture for scribes, have become cherished repositories of memories and secrets. Matthew Dennison charts their evolution
'Sloes hath ben my food'
A possible paint for the Picts and a definite culprit in tea fraud, the cheek-suckingly sour sloe's spiritual home is indisputably in gin, says John Wright
Souvenirs of greatness
FOR many years, some large boxes have been stored and forgotten in the dark recesses of the garage. Unpacked last week, the contents turned out to be pots: some, perhaps, nearing a century old—dense terracotta, of interesting provenance.
Plants for plants' sake
The garden at Hergest Croft, Herefordshire The home of Edward Banks The Banks family is synonymous with an extraordinary collection of trees and shrubs, many of which are presents from distinguished friends, garnered over two centuries. Be prepared to be amazed, says Charles Quest-Ritson
Capturing the castle
Seventy years after Christian Dior’s last fashion show in Scotland, the brand returned under creative director Maria Grazia Chiuri for a celebratory event honouring local craftsmanship, the beauty of the land and the Auld Alliance, explains Kim Parker
Nature's own cathedral
Our tallest native tree 'most lovely of all', the stately beech creates a shaded environment that few plants can survive. John Lewis-Stempel ventures into the enchanted woods
All that money could buy
A new book explores the lost riches of London's grand houses. Its author, Steven Brindle, looks at the residences of plutocrats built by the nouveaux riches of the late-Victorian and Edwardian ages
In with the old
Diamonds are meant to sparkle in candlelight, but many now gather dust in jewellery boxes. To wear them today, we may need to reimagine them, as Hetty Lintell discovers with her grandmother's jewellery
