Breaking The Fourth And Fifth Wall

Dear Evan Hansen began as a germ of an idea about the yearning for a connection with others; co-lyricist and writer Benj Pasek was considering the embellished ties his teenaged peers had to a suspected victim of suicide.

- Iris Wiener

Pasek went on to explore the idea of connecting with a tragedy further alongside writing partner, Westport’s Justin Paul, during their college years, and before long the pieces of the story began to come together. Skip ahead to more than a decade later, and the Tony Award-winning musical is transcending the stage as it breaks a proverbial fifth wall. After all, Dear Evan Hansen doesn’t end when the curtain drops, nor does the show simply reach beyond the stage to its audience; an integral aspect of this production has always been its outreach, which producer Stacey Mindich admits has far exceeded the DEH team’s expectations.

Laying the Foundation

Ben Platt plays the title character in the show about an isolated, lonely teenager who unintentionally becomes a social media sensation and a representation of the compassion that is lacking in most high school students. DEH centers on themes of teen suicide, bullying, mental illness and social media, amongst others, which led Mindich to consider how the show needed to offer supportive outlets for people who were experiencing similar problems. “From very early on, I didn’t feel that it was right to put on a performance of this show without some resource in the program that said, ‘Here’s where you can call to talk about it some more,’” she recalls.

The DEH team began very carefully and strategically gathering the right not-for-profit partners: Child Mind Institute, The Trevor Project, JED, Crisis Text Line and Born This Way Foundation. Working with such organizations organically brought them much needed attention, simultaneously promoting the show and its important messages. Mindich says that the foundations’ work with them has spread “in a very natural way that feels a lot like the show itself.”