July 23, 2020: After the coronavirus shutdown.
August 1969: “We can now provide each individual with a choice of … working at home, where he can carry out his duties for all his assignments through computer access.” (“You’ll Never Have to Go to Work Again,” Washington Post)
April 1974: “Homework. The word conjures up the overworked executive. But everybody’s doing it. Part-time. Full time. Some time.” (“The Home Office: Nice Work If You Can Stand It,” New York Magazine)
May 1982: “One joy of the coming telecommuting age is that people will be able to choose to have virtually no government by congregating with like-minded neighbors.” (“Why Men Die,” The Economist)
Denne historien er fra April 26 - May 9, 2021-utgaven av New York magazine.
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Denne historien er fra April 26 - May 9, 2021-utgaven av New York magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten
