The Baby Phat designer returns.
Kimora Lee Simmons spots someone at the table across from her. She’s at her usual haunt, sitting with legs crossed in a plush, poppy-colored armchair in the opulent lobby restaurant of the Hôtel Plaza Athénée in Paris. She makes eye contact with an older black gentleman sipping a beautiful drink in a crystal glass. He gives a smile and a nod of recognition; she returns the nod in kind.
Simmons, the onetime model and onetime mogul, loves it here. She has spent stretches of the summer in Paris since she was 13, when she was plucked from a modeling school in a St. Louis mall, signed to an exclusive Chanel contract, and selected to wear the coveted last look in Karl Lagerfeld’s 1989 haute couture show: a wedding gown for the fashion industry’s child bride. Success and money led to frequent stays at the Plaza Athénée like a barely adult Eloise. She threw her children’s birthday parties here. (Once, there was a Marie Antoinette theme.) She spent time here with her ex-husband, Def Jam co-founder Russell Simmons, whom she met when she was 17 and he was 35.
Now, at 44, Simmons rents an apartment just around the corner but comes to the Plaza Athénée lobby several times a week, talking for hours and ordering snacks for her four children, three of whom are here today—Aoki Lee, 17; Ming Lee, 19; and Kenzo Lee, 10. (Her 4-year-old is at home napping.) Here, everything you touch is of lush velvet, the sounds are of spindly heels tapping on a marble floor and a harp playing, the smells are of the most delicate florals, and the tastes are of fresh white truffle sprinkled on pasta.
Denne historien er fra August 19 - September 1, 2019-utgaven av New York magazine.
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Denne historien er fra August 19 - September 1, 2019-utgaven av New York magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten