Andrew Hung, best known for being one half of electronic music duo Fuck Buttons, is very much in demand. Despite the project being on hold since 2013, he’s subsequently recorded a track with Jean-Michel Jarre, co-produced for Beth Orton and Aimee Osbourne (daughter of Ozzie), and wrote the soundtrack to cult director Jim Hosking’s comedy horror, The Greasy Strangler.
Hung’s second solo electronic album, Devastations, documents a transitional period in his career. Striving to perfect the one-man-band approach to its predecessor Realisationship – a body of work he’s only recently come to appreciate, despite being recorded almost entirely digitally, its propulsive beats, angular instrumentation and stark, yearning vocals are a disarming throwback to ’80s new wave songcraft.
Was Devastations recorded pre-pandemic or did the isolation give you the perfect opportunity to work on a second solo album?
“I’m not sure how to compartmentalise the process now but it was definitely finished during the pandemic. Most of it was written before, but when it came to mixing it took or four or five attempts to cross the line due to whatever mental barrier I was experiencing. I guess going through all those mixing processes gave it a degree of re-polishing – it certainly gave me the opportunity to inspect my working processes because I’m always looking for ways to be as efficient as possible.”
How do you feel Devastations builds on the your debut solo album Realisationship?
Denne historien er fra July 2021-utgaven av Future Music.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra July 2021-utgaven av Future Music.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
SONIC DESTRUCTION
From overdriven signal paths to rhythmic malfunctions, there’s plenty of creativity to be found by doing things just a little bit wrong
Feed Me
EDM producer Jon Gooch revives his cartoonish Feed Me moniker. Danny Turner finds out how the use of live instrumentation changed his production approach
Exploring Akai MPC
Leo Maymind takes a detailed look at an iconic groovebox whose influence helped shape modern hip-hop and much more besides
Liars
Dissolving the contours of rock and electronics, Danny Turner charts the making of Liars’ 10th album with Angus Andrew and Laurence Pike
Jean-Michel Jarre
The pioneering musician who introduced generations to futuristic sounds the first time around is at it again. He joins Matt Mullen to talk experiments in VR gigging, spatial audio and more...
Noise
With roots as far back as 1913, noise is the genre that’s also a state of mind
1010 Music Bitbox mk2 £549
Rob Redman finds out whether this updated sampler box of tricks contains any more surprises
Erica Synths and Sonic Potions LXR-02 £499
Rob Redman braces himself for another resurrected blast from the past
Modal SKULPTsynth SE £169
Modal are back with an update to their SKULPT synth. Bruce Aisher takes a listen to see if it can rustle up a big sound
Reason Studios Reason 12 £399
Now in both DAW and plugin realms, Reason gains a sampler and refreshed Combinator. Si Truss investigates