They say that those who forget history are doomed to repeat it. But what if the history in question was awesome? It was just a quarter-century ago that angsty 20-somethings in tracksuits, creatively dyed hair, and enough eyebrow piercings to install a zipper onto ruled not just the rock charts, but the pop charts. Korn’s Jonathan Davis was on MTV’s Total Request Live. Staind albums sold millions of copies. Things were so crazy that even a band like Trapt could be taken seriously. For what might’ve been the last time, heavy metal ruled the airwaves.
And then, just as quickly as they came into the spotlight, the nu-metal bands were out in the cold. A select few, like Linkin Park and Slipknot, adapted. Others, too numerous to time, became punchlines.
But movements, from bell-bottom jeans to disco to even the fluorescent nightmare that was the Eighties, have a way of coming back. Tetrarch remembers those heady days of angsty metal climbing the charts all too well.
“When we were growing up, our favorite bands were from that era. The Disturbeds and Linkin Parks and Slipknots and Korns were bands that could be very heavy but also very melodically driven. Their fans could sing along with the songs but still be in the pits. That resonates with me a lot,” says lead guitarist Diamond Rowe. “We’re never going to be the heaviest band in the room. We’re never going to be the softest band in the room. But we want to write songs that connect with people, that are heavy and you can bang your head to it but you can also sing along to it and you can relate to it.”
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Denne historien er fra June 2021-utgaven av Guitar World.
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Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston