Some rock-star deaths hit like a sledgehammer. On 6 October, as the black news ripped through social media, fans both illustrious and unknown found a thousand ways to echo the same sentiment. Not Eddie Van Halen. Death was so diametrically opposed to the life force in the Californian virtuoso’s fretwork. The black-and-white valedictory photos filling news feeds so drab compared with his kaleidoscope of DIY SuperStrats. The past tense of the eulogies so jarring when applied to the man who announced the future when he arrived in 1978, all megawatt smile and hands ablaze.
“Eruption erupted through my radio as I was warming up on my guitar,” remembers Joe Satriani of the instrumental that marked the boldest line in the sand since Jimi Hendrix detonated the Bag O’ Nails nightclub in 1966. “I was instantly mesmerised by the sound. In that moment, Eddie captured my heart with his musicianship. He expressed his joy of music in every note he played.”
In modern times, virtuoso players are 10-a-penny, Eruption a rite of passage. But it’s a hard thing to convey the impact of hearing the second track from Van Halen’s self-titled debut album back in 1978. There had been wizards, speedsters and sonic adventurers before – from Jimi’s outer-reaches space blues, to Clapton’s precocious strut on Hideaway, to Alvin Lee hitting what seemed like the redline with I’m Going Home at the Woodstock festival. But with Eruption, Van Halen left them all standing. “He basically came in and laid waste to the competition,” says Joe Bonamassa, “while changing the game like no-one since Hendrix. I’m just glad I was alive to witness it.”
Denne historien er fra December 2020-utgaven av Guitarist.
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Denne historien er fra December 2020-utgaven av Guitarist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more