In December 1999, Naomi Harris turned down a job offer, left her apartment in New York, and checked into the Haddon Hall Hotel, in Miami Beach. She was 26. She wanted to be a photographer.
The hotel was a year-round home for some and a seasonal residence for others—snowbirds, mostly in their 80s and 90s, who came down from New England or Canada and stayed all winter. They didn’t have a lot of money, and they didn’t go there for luxury. Their days were spent together: eating, dancing, flirting, playing bingo. They welcomed Harris, allowing her to photograph intimate moments of joy and vulnerability.
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Denne historien er fra December 2021-utgaven av The Atlantic.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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The Dark Origins of Impressionism
How the violence and deprivation of war inspired light-filled masterpieces
The Magic Mountain Saved My Life
When I was young and adrift, Thomas Manns novel gave me a sense of purpose. Today, its vision is startlingly relevant.
The Weirdest Hit in History
How Handel's Messiah became Western music's first classic
Culture Critics
Nick Cave Wants to Be Good \"I was just a nasty little guy.\"
ONE FOR THE ROAD
What I ate growing up with the Grateful Dead
Teaching Lucy
She was a superstar of American education. Then she was blamed for the country's literacy crisis. Can Lucy Calkins reclaim her good name?
A BOXER ON DEATH ROW
Iwao Hakamada spent an unprecedented five decades awaiting execution. Each day he woke up unsure whether it would be his last.
HOW THE IVY LEAGUE BROKE AMERICA
THE MERITOCRACY ISN'T WORKING. WE NEED SOMETHING NEW.
Against Type
How Jimmy O Yang became a main character
DISPATCHES
HOW TO BUILD A PALESTINIAN STATE There's still a way.
