Photography started as a hobby for Chauncey Hare. For 27 years, he worked as a chemical engineer at the Standard Oil Company of California, using his camera to escape the tedium of the office. By 1977, he couldn't take it anymore. But before he declared himself a “corporate dropout” and committed to art full-time, Hare trained his camera on the world he hoped to leave behind.
Denne historien er fra May 2022-utgaven av The Atlantic.
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Denne historien er fra May 2022-utgaven av The Atlantic.
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THE GLACIER RESCUE PROJECT
Can the mighty Thwaites be stopped from tumbling into the sea?
A Novel Without Characters
Rachel Cusks lonely experiment
The Industry That Ate America
The long and lurid history of lobbying
Kafka's Not Supposed to Make Sense
“The incomprehensible,” he explained, “is incomprehensible.”
Tornado Watch
How Lee Isaac Chung reimagined Twister, one of the biggest climate-disaster thrillers of all time
Too Cute to Fail
Koalas are threatened by climate change, cars, and chlamydia. Can Australia find a way to protect its most beloved animal?
THE FIRST THREE MONTHS
What I saw inside the government’s response to COVID-19
THE VALLEY
Searching for the future in the most American city
THE AIRPORT-LOUNGE ARMS RACE
Inside the ever more extravagant competition to lure affluent travelers
Hypochondria Never Dies
The diagnosis is officially gone, but health anxiety is everywhere.
