Political leaders often boast of inner steel. Imran Khan can point to three bullets dug out of his right leg. It was in November that a lone gunman opened fire on Khan during a rally, wounding the 70-year-old as well as several supporters, one fatally. One bullet damaged a nerve, so my foot is still recovering, says the former Pakistani Prime Minister and onetime cricket icon. I have a problem walking for too long.
If the wound has slowed Khan, he doesn't show it in a late-March Zoom interview. There is the same bushy mane, the easy laugh, prayer beads wrapped nonchalantly around his left wrist. But in the five years since our last conversation, something has changed. Power-or perhaps its forfeiture-has left its imprint. After his ouster in a parliamentary no-confidence vote in April 2022, Khan has mobilized his diehard support base in a jihad, as he puts it, to demand snap elections, claiming he was unfairly toppled by a U.S.-sponsored plot. (The State Department denied the allegations.)
The actual intrigue is purely Pakistani. Khan lost the backing of the country's all-powerful military after he refused to endorse its choice to lead Pakistan's intelligence services, known as ISI, because of his close relationship with the incumbent. When Khan belatedly greenlighted the new chief, the opposition sensed weakness and pounced with the no-confidence vote. Khan then took his outrage to the streets, with rallies crisscrossing the nation for months.
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Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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