Bob Newman examines the subtle changes brought by the M10 – the latest Leica launch
I find the latest camera from Leica – the M10 – interesting for a number of reasons, starting with its name. Back in 2012, Leica announced it was ending the numbering of its M-series cameras (and in fact all its cameras). Henceforth, they would be known as ‘Leica M’ – although since it is clearly necessary to distinguish different types of M camera, the company adopted a different numbering system. The full name of the new ‘M’ was ‘M (Typ 240)’. There followed some variants, the ‘M (Typ 246)’ with a monochrome sensor and the ‘M (Typ 262)’. The ‘Typ 262’ was notable for what it didn’t have. It no longer had video capability, nor did it allow live view on the rear screen.
Rangefinder limitations
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Denne historien er fra July 15,2017-utgaven av Amateur Photographer.
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John Wade considers...World War II: Home Front 1940, by A.J O'Brien
Say the word 'Wall's' to those of a certain age and two things spring to mind: sausages and ice cream.
Panasonic FZ82D
If you want the flexibility of a superzoom bridge camera, then the FZ82D is a new model to tempt you. But is it any good? Amy Davies finds out
Leica D-Lux 8
Leica's latest advanced zoom compact resurrects a much-loved line, but can it challenge the Fujifilm X100VI? Andy Westlake finds out
Focus stacking for macro
In macro photography, depth of field is a real issue, but Rod Lawton shows how focus bracketing and Photoshop can fix it
Something magic
The official invention of photography is hard to pin down, but it's possibly 200 years old this year. Michael Pritchard takes a closer look at one of its pioneers
Fugue by Lydia Goldblatt
A profound and moving reflection on love, life, grief, childhood and motherhood, Fugue is a wonderful body of work, says Amy Davies
Honor's new phone crush, plus eye-tracking tech
It’s not exactly been a quiet summer for new phone announcements, but the pace is about to get even more hectic, with the massive IFA consumer electronics show taking place soon in Berlin (on 6-10 September).
Final Analysis
Peter Dench considers...'Matt, Border Morris Dancer, Clerical Error, Chester City' by Ryley Morton
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A new light on landscapes
Liam Man's dramatic, drone-lit landscapes have won him international acclaim. He tells Geoff Harris about his approach, and why still images still appeal more than video