It’s been a familiar refrain from early adopters and system sceptics alike; the EOS R has relied almost exclusively on the crutch of EF-mount lenses since its launch. While the company has done an admirable job of fleshing out the Canon RF lens roadmap, the lack of the three ‘trinity’ zoom lenses has been hard to ignore.
Canon did release the RF 28-70mm f/2L USM – but that hulking, specialist optic was never going to appease the everyman. Thankfully, then, Canon has now given us the RF 24-70mm f/2.8L – the standard zoom everyone has been waiting for.
Denne historien er fra December 2019-utgaven av Digital Camera World.
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Denne historien er fra December 2019-utgaven av Digital Camera World.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Spice up autumn
Bold autumnal colours lend themselves to bold editing techniques, says James Abbott
Breathe new life into forgotten photos with Enhance
James Paterson tries out Photoshop's AI image-enhancing tools to see if they can rescue an old, noisy, heavily-cropped raw file
Scanning ahead...
Paris 2024 was memorable not only for sport, says Jon Devo, but also innovative video tech
Shot of the month
Photojournalist Aaron Gekoski has produced a documentary about animal exploitation
10 AMAZING AUTUMN PROJECTS TO SHOOT
With summer behind us and winter approaching, autumn is an exciting creative stopgap. James Abbott explores some of its possibilities
Hotshots
Our showcase of the winning entries from the World Sports Photography Awards 2024
The art of seeing
Benedict Brain examines the tourist gaze and explores why we take 'travel' photographs
Historic streets
Andrew Bransby reveals the secrets of successfully shooting popular tourist hotspots at night
Don't get stuck in a rut
Brian Wakeling explains how get a winning shot from herds of deer
How to capture canals and docks
Wendy Evans investigates the watery arteries of the Industrial Revolution