Pictured Complex system
Sensor technology can appear to be steeped in mystery. Simple mistakes in camera work and processing technique can undermine the potential of your images
Modern digital cameras are marvels of imaging technology. Over the past 20 years, there has been a revolution in what sensors are capable of recording, both in terms of light gathering capacity and detail capture. At one time, seemingly not too long ago, 6MP was considered high-resolution, whereas the latest crop of full-frame mirrorless cameras can pack on 60MP with ease. Just as happened with the introduction of high-definition video, however, there are some added difficulties when working with such potential for detail recording.
When HD video became the standard, many television networks found the rendition of detail was so great that every flaw in the lenses used, and indeed in the human subjects, could be easily spotted by the untrained eye. The same is true when shooting with ultra-high pixel counts for still images – the user must be conscious of their camera work to prevent unpredictably conspicuous imperfections.
Not only can high-quality sensors make it difficult to hide less than perfect technique or lens use, but if you have invested heavily in a high-end model, it is inefficient for your business if you aren’t getting the maximum resolution benefit. Over the next few pages, we’ll look at some key techniques for getting as much out of your sensor’s potential as possible. These range from improving the standard of your own camera work to calibrating your system so all items function optimally together.
Denne historien er fra Issue 252-utgaven av Digital Photographer.
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Denne historien er fra Issue 252-utgaven av Digital Photographer.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Apply a stylised detail enhancement
Give your photos a movie aesthetic with the bleach bypass effect in Photoshop
Sony FE 16-25mm f/2.8 G
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Nikon Z 28-400mm f/4-8 VR
This lens offers everything from wide-angle to super-telephoto reach, says Matthew Richards
Novo Helix T50 Carbon Fibre Tripod
Adam Waring discovers an unfeasibly small yet feature-packed travel tripod
OM System OM-1 Mark II
James Artaius finds the OM-1 Mark II has features that you wish your camera did
How do I get into events photography?
Jules Renahan, owner of Jules Renahan Photography and co-founder of PhotoHound, tells us what to expect when photographing events
Career advice
This issue, Claire Gillo looks at the logistics behind running a photography business and talks to an events photographer
My dream photo kit
With help from used camera gear specialists MPB, we've created an expert photographer's fantasy camera kitbag
Create wet plate portraits
Recreate the collodion process for enhanced detail
Fine-tune colour and saturation
Use Lightroom's extensive controls to enhance individual colours in your shots