Shoot green
Digital Photographer|Issue 252
We look at the small changes you can make to become a more eco-friendly photographer
Shoot green

Pictured Shot at sustainability It’s not easy to run a profitable business and be climate-conscious. But with a few simple changes, you should be able to meet both objectives harmoniously

The conversation about climate change comes and goes, led by media coverage of high-profile events but neglecting some of the key environmental issues we face today. As photographers, we probably don’t think of our business practices as especially damaging to the environment. When working from a home studio or fixed location, it can feel as though we are operating in a bubble that doesn’t connect much with nature. However, there are issues other than global warming and worldwide climate impacts to consider.

On a local level, our day-to-day activities can have significant effects on the environment. From the production of waste materials to damaging behaviour when out shooting in the landscape, we all leave a footprint of which it can sometimes be hard to keep track.

Many of the negative impacts we introduce are entirely unintentional and often overlooked. For this reason, it is useful to review our workflow to identify weak points in the sustainability of the operation. It is surprising how much we throw away and where the areas for improvement are. The upside is that we may even save some money in the process.

Power consumption

Denne historien er fra Issue 252-utgaven av Digital Photographer.

Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.

Denne historien er fra Issue 252-utgaven av Digital Photographer.

Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.

FLERE HISTORIER FRA DIGITAL PHOTOGRAPHERSe alt
Apply a stylised detail enhancement
Digital Photographer

Apply a stylised detail enhancement

Give your photos a movie aesthetic with the bleach bypass effect in Photoshop

time-read
1 min  |
Issue 280
Sony FE 16-25mm f/2.8 G
Digital Photographer

Sony FE 16-25mm f/2.8 G

Matthew Richards investigates this lightweight wide-angle zoom lens with a unique focal range

time-read
1 min  |
Issue 280
Nikon Z 28-400mm f/4-8 VR
Digital Photographer

Nikon Z 28-400mm f/4-8 VR

This lens offers everything from wide-angle to super-telephoto reach, says Matthew Richards

time-read
1 min  |
Issue 280
Novo Helix T50 Carbon Fibre Tripod
Digital Photographer

Novo Helix T50 Carbon Fibre Tripod

Adam Waring discovers an unfeasibly small yet feature-packed travel tripod

time-read
3 mins  |
Issue 280
OM System OM-1 Mark II
Digital Photographer

OM System OM-1 Mark II

James Artaius finds the OM-1 Mark II has features that you wish your camera did

time-read
4 mins  |
Issue 280
How do I get into events photography?
Digital Photographer

How do I get into events photography?

Jules Renahan, owner of Jules Renahan Photography and co-founder of PhotoHound, tells us what to expect when photographing events

time-read
2 mins  |
Issue 280
Career advice
Digital Photographer

Career advice

This issue, Claire Gillo looks at the logistics behind running a photography business and talks to an events photographer

time-read
2 mins  |
Issue 280
My dream photo kit
Digital Photographer

My dream photo kit

With help from used camera gear specialists MPB, we've created an expert photographer's fantasy camera kitbag

time-read
1 min  |
Issue 280
Create wet plate portraits
Digital Photographer

Create wet plate portraits

Recreate the collodion process for enhanced detail

time-read
1 min  |
Issue 280
Fine-tune colour and saturation
Digital Photographer

Fine-tune colour and saturation

Use Lightroom's extensive controls to enhance individual colours in your shots

time-read
1 min  |
Issue 280