01 WINNER BUACHAILLE ETIVE MOR, GLENCOE BY JOHN CUMMINGS
John's captured an incredible shot of Glencoe here, which really shows off the best of Scottish landscapes. The crashing waterfalls make for fantastic foreground interest that instantly draw the eye and carry you through the image to the fantastic mountain, and dramatic sky looming in the background. It's well exposed and nicely composed too.
Lens Canon EF 16-35mm f/4L IS USM Exposure 0.8 secs, f/13, ISO100
02 TRANQUILLITY BY DOMINIC BEAVEN
Dominic's turned this seascape photograph of three beach huts into an exquisitely minimal scene. His lengthy 160 secs shutter speed, just short of three minutes, has given his camera plenty of time to record the motion of the waves and clouds turning both into an ethereal blur - adding to that peaceful feeling.
Lens Canon EF 16-35mm f/2.8L III USM Exposure 160 secs, f/13, ISO50
03 THE ARCH BY HYWEL EVANS
Durdle Dor has to be one of the most photogenic and photographed landscape spots in the UK, certainly along the Jurassic Coast. Hywel's shot is nicely composed and full of colour thanks to the fiery pinks and oranges coming through the clouds at sunrise. The cliff edge and shoreline act as lead-in lines guiding the eye perfectly towards the famous arch, and a slow shutter speed of 30 seconds has added some dramatic blur to the waves and clouds.
Lens Canon EF 16-35mm f/2.8L II USM Exposure 30 secs, f/8, ISO640
04 PASTEL DAWN BY DAVE FEASTER
Denne historien er fra Spring 2022-utgaven av PhotoPlus : The Canon Magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra Spring 2022-utgaven av PhotoPlus : The Canon Magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
Canon photographer and digital artist Alexander loves to craft incredible fantasy scenes with a spooky horror twist
Sharpen your shots with DPP
Sharpening a digital image also increases contrast at the edge of details
CANON ImagePrograf PRO-1100
Deeper blacks, better bronzing, greater lifespan and 5G Wi-Fi -Canon's new printer is full of new tech, says
Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!
The Canon RF 28-70mm F2.8 IS STM lacks a red ring, but borrows premium features from its L-series siblings
DREW GIBSON
Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands
Up in smoke
Make a smoky shape in Affinity Photo and get to grips with the amazing Liquify Persona under the guidance of James Paterson
Expand your creativity with Generative Fill
Photoshop's Al-powered feature brings revolutionary new tools to image editing. James Paterson reveals all...
Turn your images into vintage postcards
Wish you were here? Sean McCormack explains how you can give your summer photographs a vintage postcard look
The Angel Malibu
Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!