IT TAKES A VILLAGE

IN A TRADITIONAL, OPEN-TO-SKY COURTYARD HOME IN ANEGUNDI, NEAR HAMPI, HERITAGE CONSERVATIONIST, PAINTER AND FOUNDER OF THE KISHKINDA TRUST, SHAMA PAWAR LIVES AND REVITALIZES CRAFT TRADITIONS BORN FROM THE LAND'S RICH PAST.

MATKAS OF THE MOST BEAUTIFUL FORM, RESIST-DYED SACRED CLOTHS HUNG AS TAPESTRIES, MUD PLASTER OR "LIPAI" WALLS, AND A JOURNEY IN COLOURS AND PODDAR AND EESHAAN PIGMENTS ANUPAM KASHYAP 'S DELHI HOME IS A PURSUIT OF A LAYERED, TACTILE BEAUTY.

Anupam Poddar and Eeshaan Kashyap's generous first-floor apartment in the shadow of Humayun's Tomb harks to a leisurely way of living.

CLASSIC BEIRUT HERITAGE AND GLAMOUR

A COLLECTOR AND ANTIQUE S DEALER, THE LATE HOME, BEIT CHABEB I N BEIRUT, IS A COMING JOE TOHMES GREATEST PASSION PROJECT, HIS TOGETHER OF THE RUSTIC AND THE REFINED.

LAL KOTHI

TEXTILE LOVERS PETER AND CECILE D'ASCOLI TRANSFORM THEIR DELHI FARMHOUSE INTO A KALEIDOSCOPIC FEAT OF COLOUR AND PATTERN.

ATELIERS DE FRANCE

More than 15 million spectators are expected to descend on Paris for the Olympic and Paralympic Games this summer, and they won't be there to see only the sporting events.

ON THE EARTH

On a bright, breezy afternoon at La Pelota in the heart of Milan-where Hermès holds its annual presentation every springBenoit Pierre Emery, the creative director of tableware, laid out a tray with pieces from the dinner service Tressages Équestres.

JAIN HANDICRAFTS OPENS A STORE IN AHMEDABAD, DESIGNED BY SAMIR WADEKAR, WITH A CURATED COLLECTION DRAWN FROM THEIR SEA OF ANTIQUES.

When Jain Handicrafts, a multigenerational family business dealing in period furniture and objets d'art, showcased their collection at the annual AD Design Show last year, they were amazed by the positive response they received from visitors.

MASTER WEAVER SHAMJI VANKAR TAKES A SLICE OF HIS CULTURE TO XTANT, A HERITAGE TEXTILE FESTIVAL HELD IN MALLORCA THIS SUMMER.

Art is made by a single individual for the enjoyment of another.

RITU KUMAR HOME'S LATEST TABLEWARE COLLECTION DRAWS FROM IKAT AND CHINTZ.

Ritu Kumar's home collections have always reflected her love for handlooms and Indian art forms. Be it intricate Mughal art or elaborate Kashmiri booti, the table linen, serveware and even glassware borrow from traditional motifs.

SIX DECADES SINCE ITS ORIGIN, BAREFOOT IN COLOMBO REMAINS DEDICATED TO LATE FOUNDER BARBARA SANSONI'S LOVE OF HANDLOOM.

Amid a kaleidoscope of colours in the upholstery section of Barefoot's store in Colombo, the rolls of material stand out for their vibrant variations of green.

THE CUTE NEW VARIANT OF THE ICONIC WISHBONE CHAIR IS MADE FOR CHILDREN AGED THREE AND UP.

Hans J Wegner designed around 500 chairs in his lifetime. While several of them are known as innovative masterpieces, one of his most iconic creations remains the CH24 Wishbone Chair designed in 1949.

DESIGNED BY KUMAR LA NOCE FOR ALTREFORME, BINDOO IS A COLLECTION OF WHIMSICAL MIRRORS THAT TAKE INSPIRATION FROM THE HUMBLE DOT.

Inspired by the Sanskrit word for \"dot\", Bindoo, a trifecta of geometric mirrors by Indo-Italian design practice Kumar La Noce for Italian high-end aluminium furniture company Altreforme-unveiled at Milan Design Week 2024-is an object lesson in infinity.

SINGING IN BRASS

FROM ORNATE IMAGES OF INDIAN MYTHOLOGY TO CHINOISERIE TO ABSTRACT ORGANIC FORMS, THE ENIGMATIC CRAFT OF BRASS REPOUSSÉ COMES TO LIFE AT VIKRAM GOYAL'S ATELIER IN NOIDA.

MAY/JUNE DISCOVERIES

Reuse, repurpose, restore: Here is our dispatch from the world of design and architecture with a spotlight on sustainability. Danish brand Mater taps Patricia Urquiola to craft a line of sleek furniture from waste material. Bottega Veneta's Matthieu Blazy finds inspiration in a classic Le Corbusier design. Mumbai's 165-yearold Afghan Church gets restored to its original glory. Enjoy this summer issue.

50 YEARS OF MAHENDRA DOSHI

As a child I remember accompanying my parents on their collecting trips. Going to museums, art galleries and furniture warehouses is what we did on Sunday mornings in the 1980s in Bombay. There were no malls and my parents felt guilty leaving us home. We were welcomed into these treasure troves of art and design with equal élan by their humble owners, who were always there on the shop floor. Holiday or not. And that is how one spring morning, I met the doyen of period furniture, Mahendra Doshi. We would spend hours with him in his dusty cavern-like basement, nestled against the Arabian Sea with a view of the entire Queen's Necklace. I remember seeing stars in my father's eyes. He did that when he saw things he liked. My parents may or may not have picked up a piece, but I always took back a story. For amidst those dusty alleys of piled up \"junk\" and heaps of old furniture lay stories of history, homes and heritage. Stories we were regaled with by the gentle giant. He was simply Mahendra bhai to my parents and Mahendra uncle to me.

The Historian

For this summer issue, we admire the quintessential \"cooling\" jali-one of India's great contributions to global architecture and look at a lesser known but magnificent piece from the extraordinary madrasa of Ghaziuddin Khan from the Mughal era.

TERRA PAVILION

IS A STARK STRUCTURE OF EXPOSED CONCRETE AND GLASS, BUILT AS A SUSTAINABLE, RESTFUL SANCTUARY IN A WINDING FORESTED EXPANSE OUTSIDE OF AHMEDABAD, DESIGNED BY KHUSH NU PANTHAKI HOOF AND SÖNKE HOOF OF STUDIO SANGATH.

PALINDA KANNANGARA'S

FIRST RESIDENTIAL PROJECT IN INDIA IS A HOME IN BENGALURU DESIGNED WITH HIS SIGNATURE

SAMRAKSHAN INDIA

Architect Ajith Andagere often quotes Mexican poet Octavio Paz: \"To be truly modern, we must first reconcile ourselves with our traditions.\"That central thought is the crux of Andagere's mission. In 2017, he set up Samrakshan India-a not-for-profit focused on documenting India's vernacular architecture, considering the inherent wisdom in vernacular typologies and making them relevant to our modern lives. \"Documentation, conservation, adaptive reuse, and education\"-that's the role that this architect has taken on. AD visits Andagere's studio on the outskirts of Bengaluru as well Shurpali HouseSamrakshan India's first restoration project-a 150-year-old ancestral home close to the Krishna River, in the Bagalkot district of Karnataka, a nine-hour drive from his studio. Andagere took it on, along with his team of architects and craftsmen, and today what we see, post-restoration, is someone's ancestral family home given a new life.

Condé Nast Traveller THE LAST WORD IN TRAVEL

In the shadow of the historic Vijayanagara empire, HAMPI ART LABS is a new arts programme brought to life by the JS W Foundation. Designed by A D 100 firm SP+a, it takes design inspiration from the ruins and landscape of Hampi, situated 35 kilometres away. An exhibition centre along with residences for artists, creative studios devoted to various art forms like printmaking and ceramics, a quiet yet communal space for artists to create and explore, Hampi Art Labs is a sanctuary as well as a pivotal step forward for the growing community of art in India. A patron with all her heart in it, Sangita Jindal, Foundation, summarizes her intent: chairperson, JS W had been to Hampi 31 years ago and fell in love with it then. Ever since I have wanted to do something here. And my other lifelong love is art. So I thought, why not bring the two together contribution This is my ongoing to the sea of artistic talent in our country.\"

WHEN WAS MODERNISM?

WITH A TITLE REFERENCING A BOOK BY HISTORIAN HOME IN GEETA KAPUR, THIS MODERNIST AHMEDABAD, BUILT IN THE 1 9 7 0 S AND RESTORED RECENTLY BY AD 1 0 0 ARCHITECT KUNAL SHAH IS A REMINDER OF A CLASSIC DOMESTIC ARCHITECTURE THAT AN ENTIRE IN A GENERATION OF INDIANS GREW UP MODERNISM THAT IS TIMELESS, THAT WE ADAPTED TO SUIT OUR CULTURE, CLIMATE, MATERIALS AND OUR DOMESTIC RITUALS. THIS IS FOUZDAR, A GRANDFATHER'S HOME.

The Curator

AD’s Art issue would be incomplete without an essay on Peggy Guggenheim, the philanthropist and visionary who was collecting through the war years, and whose home-turned-museum in Venice has one of the most important holdings of modern art in the world.

Raw  Mango Agama

TEXTILES HAVE BEEN INTEGRAL TO THE STORYTELLING AT AD IN PRINT. IN A NATURAL STEP AHEAD, FOR THE FIRST TIME EVER, THE AD DESIGN SHOW THIS YEAR OPENED WITH A GARMENT PRESENTATION. THE MOOD, THE MUSIC, THE PEOPLE, THE TEXTILES EVERYTHING WAS MAGIC.

JAIVEER JOHAL'S CHENNAI HOME IS

FLANKED BY THE ADYAR RIVER ON ONE SIDE AND THE BAY OF BENGAL ΟΝ THE OTHER, AND ANCHORED IN A SEA OF ART AMIDST WHICH HE LIVES IN THIS BOLDLY DESIGNED ONEBEDROOM APARTMENT

D

IN A CHARMING ART DECO BUILDING IN MUMBAI'S HERITAGE PRECINCT, WITH THE BUSTLE OF OVAL MAIDAN ACROSS THE ROAD, COLLECTOR DARA MEHTA LIVES AMONG A STAGGERING COLLECTION OF ART IN A STARKLY MINIMAL HOME THAT IS MEDITATIVE AND RESTRAINED IN ITS INTERIORS DESIGNED BY NETERWALA AIBARA INTERIOR ARCHITECTURE AND ALL FOR THE ART TO SHINE THROUGH.

WELCOME TO THE AMINS BARODA HOME

THE CITY OF BARODA-NOW CALLED VADODARA IS INTRICATELY  LINKED TO THE HISTORY OF MODERN AND CONTEMPORARY ART IN INDIA. REFLECTING THIS JOURNEY IS MALIKA AND CHIRAYU AMIN'S ANCESTRAL HOME AND THEIR INCREDIBLE COLLECTION OF ART.

60 Years of Chemould

In telling the story of Gallery Chemould, Jerry Pinto writes a short history of art in the city

Bijoy Jain

AT FONDATION CARTIER

Treasure Hunt at Alessi

Cristina Kiran Piotti visits the Alessi Museum in Omegna, Italy, and discovers India-inspired creations in the archive of an iconic Italian design house.

What's New at the Art Fair

Design gets a special space at this year’s India Art Fair, with the iconic Carpenters Workshop Gallery curating a section along with Ashiesh Shah.