I would highly recommend that if you have a friend who is an interior expert, you get them to design your home," Karan Johar says with a laugh. "Gauri gave this home so much love, which really shows in every corner." When you think about it, the interior designer-client relationship is one that is characterized by a certain shared intimacy; the job calls for a degree of familiarity from understanding routines (Is the client a morning person? How can a home be made durable for a family with rambunctious children?) to valuing long-held beliefs and tastes to respecting and creating boundaries between the different facets of the client's life. And yet, more often than not, relative strangers are tasked with the role.
This is not to say that a professional does not create a beautiful home for their client, but like in the case of AD100 designer Gauri Khan and Johar, familiarity breeds a level of trust that is unparalleled.
The bond between Khan, who has successfully carved a career as an interior expert and entrepreneur with Gauri Khan Designs, and Johar-a director, producer, talk-show host, and author-dates back to when he, as a young assistant director on the seminal film Dilwale Dulhania Le Jayenge, and her husband, the film's star, Shah Rukh Khan, struck up a friendship. In the nearly three decades since, both Khan and Johar have seen each other through different professional paths, the birth of five children (Khan's three and Johar's twins), milestone celebrations, and even some personal setbacks. While "#friendslike family" is now a hackneyed term, Johar has long been unequivocal that Khan is and will always be his chosen family.
Denne historien er fra March - April 2023-utgaven av AD Architectural Digest India.
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Denne historien er fra March - April 2023-utgaven av AD Architectural Digest India.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
IT TAKES A VILLAGE
IN A TRADITIONAL, OPEN-TO-SKY COURTYARD HOME IN ANEGUNDI, NEAR HAMPI, HERITAGE CONSERVATIONIST, PAINTER AND FOUNDER OF THE KISHKINDA TRUST, SHAMA PAWAR LIVES AND REVITALIZES CRAFT TRADITIONS BORN FROM THE LAND'S RICH PAST.
MATKAS OF THE MOST BEAUTIFUL FORM, RESIST-DYED SACRED CLOTHS HUNG AS TAPESTRIES, MUD PLASTER OR "LIPAI" WALLS, AND A JOURNEY IN COLOURS AND PODDAR AND EESHAAN PIGMENTS ANUPAM KASHYAP 'S DELHI HOME IS A PURSUIT OF A LAYERED, TACTILE BEAUTY.
Anupam Poddar and Eeshaan Kashyap's generous first-floor apartment in the shadow of Humayun's Tomb harks to a leisurely way of living.
CLASSIC BEIRUT HERITAGE AND GLAMOUR
A COLLECTOR AND ANTIQUE S DEALER, THE LATE HOME, BEIT CHABEB I N BEIRUT, IS A COMING JOE TOHMES GREATEST PASSION PROJECT, HIS TOGETHER OF THE RUSTIC AND THE REFINED.
LAL KOTHI
TEXTILE LOVERS PETER AND CECILE D'ASCOLI TRANSFORM THEIR DELHI FARMHOUSE INTO A KALEIDOSCOPIC FEAT OF COLOUR AND PATTERN.
ATELIERS DE FRANCE
More than 15 million spectators are expected to descend on Paris for the Olympic and Paralympic Games this summer, and they won't be there to see only the sporting events.
ON THE EARTH
On a bright, breezy afternoon at La Pelota in the heart of Milan-where Hermès holds its annual presentation every springBenoit Pierre Emery, the creative director of tableware, laid out a tray with pieces from the dinner service Tressages Équestres.
JAIN HANDICRAFTS OPENS A STORE IN AHMEDABAD, DESIGNED BY SAMIR WADEKAR, WITH A CURATED COLLECTION DRAWN FROM THEIR SEA OF ANTIQUES.
When Jain Handicrafts, a multigenerational family business dealing in period furniture and objets d'art, showcased their collection at the annual AD Design Show last year, they were amazed by the positive response they received from visitors.
MASTER WEAVER SHAMJI VANKAR TAKES A SLICE OF HIS CULTURE TO XTANT, A HERITAGE TEXTILE FESTIVAL HELD IN MALLORCA THIS SUMMER.
Art is made by a single individual for the enjoyment of another.
RITU KUMAR HOME'S LATEST TABLEWARE COLLECTION DRAWS FROM IKAT AND CHINTZ.
Ritu Kumar's home collections have always reflected her love for handlooms and Indian art forms. Be it intricate Mughal art or elaborate Kashmiri booti, the table linen, serveware and even glassware borrow from traditional motifs.
SIX DECADES SINCE ITS ORIGIN, BAREFOOT IN COLOMBO REMAINS DEDICATED TO LATE FOUNDER BARBARA SANSONI'S LOVE OF HANDLOOM.
Amid a kaleidoscope of colours in the upholstery section of Barefoot's store in Colombo, the rolls of material stand out for their vibrant variations of green.