REEVES WETHERELL USING 30 FEET OF EMBROIDERED INDIAN SARI CLOTH AND MATCHING SKIRT, PART OF A FEATURE, IN THE 1948 EDITION OF LIFE MAGAZINE, ON WHITE SOCIETY WOMEN WEARING DIFFERENT NATIONAL DRESSES FROM ACROSS THE GLOBE. A CONCEPT THAT WOULD RAISE REASONABLE CONCERNS OF APPROPRIATION AND CULTURAL INSENSITIVITY TODAY.
AUDREY HEPBURN WEARING A NECKLACE INSPIRED BY INDIA FROM VAN CLEEF & ARPELS AND A GOWN BY GALANOS. (PHOTO BY RICHARD AVEDON, HARPER'S BAZAAR, 1961)
THIS SADDLE BAG (EMBROIDERED AT CHANAKYA, MUMBAI) FROM DIOR'S AUTUMN-WINTER 2018 READY-TO-WEAR COLLECTION PROVIDES A REPRESENTATIVE EXAMPLE OF HOW EMBROIDERY PRODUCED IN INDIA IS WOVEN IMMUTABLY-ALTHOUGH OFTEN INVISIBLY-INTO EUROPEAN LUXURY BRAND SUPPLY CHAINS. (GETTY IMAGES)
WOMEN'S CHINTZ JACKET, 1750-THIS FITTED JACKET WAS CUT TO DISPLAY THE SUMPTUOUS CHINTZ IMPORTED FROM THE COROMANDEL COAST TO FULL EFFECT. IN THE NETHERLANDS IN THE 18TH CENTURY, CHINTZ JACKETS WERE POPULAR FOR DAILY USE AND WORN AS PART OF TRADITIONAL COSTUME. (RIJKSMUSEUM, AMSTERDAM)
CHINTZ JACKETS, 1750-1800-MUCH EASIER TO LAUNDER THAN SILK OR WOOL, CHINTZ SOON BECAME POPULAR FOR BABY CLOTHING. (RIJKSMUSEUM, AMSTERDAM)
Denne historien er fra September - October 2022-utgaven av AD Architectural Digest India.
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Denne historien er fra September - October 2022-utgaven av AD Architectural Digest India.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
IT TAKES A VILLAGE
IN A TRADITIONAL, OPEN-TO-SKY COURTYARD HOME IN ANEGUNDI, NEAR HAMPI, HERITAGE CONSERVATIONIST, PAINTER AND FOUNDER OF THE KISHKINDA TRUST, SHAMA PAWAR LIVES AND REVITALIZES CRAFT TRADITIONS BORN FROM THE LAND'S RICH PAST.
MATKAS OF THE MOST BEAUTIFUL FORM, RESIST-DYED SACRED CLOTHS HUNG AS TAPESTRIES, MUD PLASTER OR "LIPAI" WALLS, AND A JOURNEY IN COLOURS AND PODDAR AND EESHAAN PIGMENTS ANUPAM KASHYAP 'S DELHI HOME IS A PURSUIT OF A LAYERED, TACTILE BEAUTY.
Anupam Poddar and Eeshaan Kashyap's generous first-floor apartment in the shadow of Humayun's Tomb harks to a leisurely way of living.
CLASSIC BEIRUT HERITAGE AND GLAMOUR
A COLLECTOR AND ANTIQUE S DEALER, THE LATE HOME, BEIT CHABEB I N BEIRUT, IS A COMING JOE TOHMES GREATEST PASSION PROJECT, HIS TOGETHER OF THE RUSTIC AND THE REFINED.
LAL KOTHI
TEXTILE LOVERS PETER AND CECILE D'ASCOLI TRANSFORM THEIR DELHI FARMHOUSE INTO A KALEIDOSCOPIC FEAT OF COLOUR AND PATTERN.
ATELIERS DE FRANCE
More than 15 million spectators are expected to descend on Paris for the Olympic and Paralympic Games this summer, and they won't be there to see only the sporting events.
ON THE EARTH
On a bright, breezy afternoon at La Pelota in the heart of Milan-where Hermès holds its annual presentation every springBenoit Pierre Emery, the creative director of tableware, laid out a tray with pieces from the dinner service Tressages Équestres.
JAIN HANDICRAFTS OPENS A STORE IN AHMEDABAD, DESIGNED BY SAMIR WADEKAR, WITH A CURATED COLLECTION DRAWN FROM THEIR SEA OF ANTIQUES.
When Jain Handicrafts, a multigenerational family business dealing in period furniture and objets d'art, showcased their collection at the annual AD Design Show last year, they were amazed by the positive response they received from visitors.
MASTER WEAVER SHAMJI VANKAR TAKES A SLICE OF HIS CULTURE TO XTANT, A HERITAGE TEXTILE FESTIVAL HELD IN MALLORCA THIS SUMMER.
Art is made by a single individual for the enjoyment of another.
RITU KUMAR HOME'S LATEST TABLEWARE COLLECTION DRAWS FROM IKAT AND CHINTZ.
Ritu Kumar's home collections have always reflected her love for handlooms and Indian art forms. Be it intricate Mughal art or elaborate Kashmiri booti, the table linen, serveware and even glassware borrow from traditional motifs.
SIX DECADES SINCE ITS ORIGIN, BAREFOOT IN COLOMBO REMAINS DEDICATED TO LATE FOUNDER BARBARA SANSONI'S LOVE OF HANDLOOM.
Amid a kaleidoscope of colours in the upholstery section of Barefoot's store in Colombo, the rolls of material stand out for their vibrant variations of green.
