The Karigar Pavilion
UNANIMOUSLY THE MOST POPULAR PAVILION AT THE AD DESIGN SHOW, AND SUPPORTED BY JSW, THIS EDITION CELEBRATED THE MAGIC OF INDIAN CRAFTSMANSHIP FROM SEVEN DIFFERENT REGIONS AND CULTURAL TRADITIONS.
RUG WEAVING BY THIYAGARAJAN X NEYTT Thiyagarajan, a weaver who works closely with Kerala-based Neytt rugs, showcased weaving using the finest sisal fibres derived from the agave plant. Karigars at Neytt revive traditional forms and exhibit them on a stage for the world to behold. KATHKUNI JOINERY BY THAKAR CHAND X NORTH Karigars Thakar Chand and Satish Kumar practise the traditional Himachali crafts of kathkuni and dbajji dewari, to create earthquake-resilient structures using wood, stone and mud. The duo work with Rahul Bhushan at North. At the pavilion, Chand demonstrated kathkunior joinery and other woodwork techniques. GUDARI MAKING BY KALBELIA CRAFT REVIVAL PROJECT X
KOTA HERITAGE SOCIETY Nati Bai and Lad Bai, of the nomadic Kalbelia tribe of Rajasthan, have mastered the craft form of gudari. In 2020, the Kota Heritage Society set up the Kalbelia Craft Revival Project near Bundi, Rajasthan, to preserve this traditional skill. At the show, Nati Bai and Lad Bai demonstrated the art of gudari making in all its glory. BASKET WEAVING BY MAHADEVAMMA X THE KISHKINDA TRUST For 20 years, the Kishkinda Trust has been using locally grown materials to make sustainable products, empowering communities in the Hampi region. Mahadevamma, who started as a rope maker 20 years ago, exhibited the nuances of basket weaving using natural fibres. EMBROIDERY BY
Denne historien er fra January - February 2024-utgaven av AD Architectural Digest India.
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Denne historien er fra January - February 2024-utgaven av AD Architectural Digest India.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
IT TAKES A VILLAGE
IN A TRADITIONAL, OPEN-TO-SKY COURTYARD HOME IN ANEGUNDI, NEAR HAMPI, HERITAGE CONSERVATIONIST, PAINTER AND FOUNDER OF THE KISHKINDA TRUST, SHAMA PAWAR LIVES AND REVITALIZES CRAFT TRADITIONS BORN FROM THE LAND'S RICH PAST.
MATKAS OF THE MOST BEAUTIFUL FORM, RESIST-DYED SACRED CLOTHS HUNG AS TAPESTRIES, MUD PLASTER OR "LIPAI" WALLS, AND A JOURNEY IN COLOURS AND PODDAR AND EESHAAN PIGMENTS ANUPAM KASHYAP 'S DELHI HOME IS A PURSUIT OF A LAYERED, TACTILE BEAUTY.
Anupam Poddar and Eeshaan Kashyap's generous first-floor apartment in the shadow of Humayun's Tomb harks to a leisurely way of living.
CLASSIC BEIRUT HERITAGE AND GLAMOUR
A COLLECTOR AND ANTIQUE S DEALER, THE LATE HOME, BEIT CHABEB I N BEIRUT, IS A COMING JOE TOHMES GREATEST PASSION PROJECT, HIS TOGETHER OF THE RUSTIC AND THE REFINED.
LAL KOTHI
TEXTILE LOVERS PETER AND CECILE D'ASCOLI TRANSFORM THEIR DELHI FARMHOUSE INTO A KALEIDOSCOPIC FEAT OF COLOUR AND PATTERN.
ATELIERS DE FRANCE
More than 15 million spectators are expected to descend on Paris for the Olympic and Paralympic Games this summer, and they won't be there to see only the sporting events.
ON THE EARTH
On a bright, breezy afternoon at La Pelota in the heart of Milan-where Hermès holds its annual presentation every springBenoit Pierre Emery, the creative director of tableware, laid out a tray with pieces from the dinner service Tressages Équestres.
JAIN HANDICRAFTS OPENS A STORE IN AHMEDABAD, DESIGNED BY SAMIR WADEKAR, WITH A CURATED COLLECTION DRAWN FROM THEIR SEA OF ANTIQUES.
When Jain Handicrafts, a multigenerational family business dealing in period furniture and objets d'art, showcased their collection at the annual AD Design Show last year, they were amazed by the positive response they received from visitors.
MASTER WEAVER SHAMJI VANKAR TAKES A SLICE OF HIS CULTURE TO XTANT, A HERITAGE TEXTILE FESTIVAL HELD IN MALLORCA THIS SUMMER.
Art is made by a single individual for the enjoyment of another.
RITU KUMAR HOME'S LATEST TABLEWARE COLLECTION DRAWS FROM IKAT AND CHINTZ.
Ritu Kumar's home collections have always reflected her love for handlooms and Indian art forms. Be it intricate Mughal art or elaborate Kashmiri booti, the table linen, serveware and even glassware borrow from traditional motifs.
SIX DECADES SINCE ITS ORIGIN, BAREFOOT IN COLOMBO REMAINS DEDICATED TO LATE FOUNDER BARBARA SANSONI'S LOVE OF HANDLOOM.
Amid a kaleidoscope of colours in the upholstery section of Barefoot's store in Colombo, the rolls of material stand out for their vibrant variations of green.
