For the founder of Andagere Architects, the word “building” extends far beyond a noun or a verb; it is both a set of activities and a movement with far-reaching consequences. In Andagere’s eyes, to be an architect is to, in essence, be an orchestrator—of the intents, individuals, methods and materials that make it possible to “touch the earth lightly”.
Since its founding in 2002, Andagere Architects’ efforts have been focused on redefining architecture in a way that builds and nourishes an entire ecosystem. To that end, there is almost no aspect of building a home that Andagere and his firm haven’t turned their hands to. From doors and windows, to cabinets, tiles, bricks, household metalware and lighting—if there is a commonly used household fitting that can be redesigned to be more contextual, Andagere Architects and its roster of indigenous craftspeople are on it.
“Architects play a role in promoting crafts, in protecting artisans,” Andagere says, adding, “And protection is nothing but encouraging them by giving them work and involving them in their projects, right?”
Housed in a 127-year-old structure on the outskirts of Bengaluru, the firm’s building projects range from private homes and boutique hotels to public institutions. But step behind the scenes and you begin to get a sense of the sheer scale of what Andagere Architects hopes to achieve. A short distance from the bucolic office where butterflies flit lazily between vivid tropical flowers, the firm has a space that houses a large carpentry workshop and a bamboo treatment plant, both buzzing with activity.
Denne historien er fra May - June 2024-utgaven av AD Architectural Digest India.
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Denne historien er fra May - June 2024-utgaven av AD Architectural Digest India.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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IT TAKES A VILLAGE
IN A TRADITIONAL, OPEN-TO-SKY COURTYARD HOME IN ANEGUNDI, NEAR HAMPI, HERITAGE CONSERVATIONIST, PAINTER AND FOUNDER OF THE KISHKINDA TRUST, SHAMA PAWAR LIVES AND REVITALIZES CRAFT TRADITIONS BORN FROM THE LAND'S RICH PAST.
MATKAS OF THE MOST BEAUTIFUL FORM, RESIST-DYED SACRED CLOTHS HUNG AS TAPESTRIES, MUD PLASTER OR "LIPAI" WALLS, AND A JOURNEY IN COLOURS AND PODDAR AND EESHAAN PIGMENTS ANUPAM KASHYAP 'S DELHI HOME IS A PURSUIT OF A LAYERED, TACTILE BEAUTY.
Anupam Poddar and Eeshaan Kashyap's generous first-floor apartment in the shadow of Humayun's Tomb harks to a leisurely way of living.
CLASSIC BEIRUT HERITAGE AND GLAMOUR
A COLLECTOR AND ANTIQUE S DEALER, THE LATE HOME, BEIT CHABEB I N BEIRUT, IS A COMING JOE TOHMES GREATEST PASSION PROJECT, HIS TOGETHER OF THE RUSTIC AND THE REFINED.
LAL KOTHI
TEXTILE LOVERS PETER AND CECILE D'ASCOLI TRANSFORM THEIR DELHI FARMHOUSE INTO A KALEIDOSCOPIC FEAT OF COLOUR AND PATTERN.
ATELIERS DE FRANCE
More than 15 million spectators are expected to descend on Paris for the Olympic and Paralympic Games this summer, and they won't be there to see only the sporting events.
ON THE EARTH
On a bright, breezy afternoon at La Pelota in the heart of Milan-where Hermès holds its annual presentation every springBenoit Pierre Emery, the creative director of tableware, laid out a tray with pieces from the dinner service Tressages Équestres.
JAIN HANDICRAFTS OPENS A STORE IN AHMEDABAD, DESIGNED BY SAMIR WADEKAR, WITH A CURATED COLLECTION DRAWN FROM THEIR SEA OF ANTIQUES.
When Jain Handicrafts, a multigenerational family business dealing in period furniture and objets d'art, showcased their collection at the annual AD Design Show last year, they were amazed by the positive response they received from visitors.
MASTER WEAVER SHAMJI VANKAR TAKES A SLICE OF HIS CULTURE TO XTANT, A HERITAGE TEXTILE FESTIVAL HELD IN MALLORCA THIS SUMMER.
Art is made by a single individual for the enjoyment of another.
RITU KUMAR HOME'S LATEST TABLEWARE COLLECTION DRAWS FROM IKAT AND CHINTZ.
Ritu Kumar's home collections have always reflected her love for handlooms and Indian art forms. Be it intricate Mughal art or elaborate Kashmiri booti, the table linen, serveware and even glassware borrow from traditional motifs.
SIX DECADES SINCE ITS ORIGIN, BAREFOOT IN COLOMBO REMAINS DEDICATED TO LATE FOUNDER BARBARA SANSONI'S LOVE OF HANDLOOM.
Amid a kaleidoscope of colours in the upholstery section of Barefoot's store in Colombo, the rolls of material stand out for their vibrant variations of green.