WHEN WAS MODERNISM?
AD Architectural Digest India|May - June 2024
WITH A TITLE REFERENCING A BOOK BY HISTORIAN HOME IN GEETA KAPUR, THIS MODERNIST AHMEDABAD, BUILT IN THE 1 9 7 0 S AND RESTORED RECENTLY BY AD 1 0 0 ARCHITECT KUNAL SHAH IS A REMINDER OF A CLASSIC DOMESTIC ARCHITECTURE THAT AN ENTIRE IN A GENERATION OF INDIANS GREW UP MODERNISM THAT IS TIMELESS, THAT WE ADAPTED TO SUIT OUR CULTURE, CLIMATE, MATERIALS AND OUR DOMESTIC RITUALS. THIS IS FOUZDAR, A GRANDFATHER'S HOME.
KOMAL SHARMA
WHEN WAS MODERNISM?

Fouzdar House, situated in Navrangpura, an older suburb of Ahmedabad, has seen better days. It stands in a neighbourhood that has over the years given way to high-rise buildings. Built in 1971 by the current owner’s grandfather with a local architect, it was meant as a safe haven for both of his sons. It’s for nostalgia, perhaps, and the memory of their grandfather, that the family decided not to redevelop the place but to renovate it, stay true to its essential character, and preserve its beauty for themselves, as well as family and friends.

Built in a modernist style with clean lines, spacious rooms, and adjoining bathrooms, this six-bedroom home, with verandas generously added on all sides to allow for cross-ventilation and light, has survived with its good bones for 50 years now. The owners were careful with their choice of architect—someone whose interventions would be minimal and sensitive. So Kunal Shah, a designer and a friend of the family, was invited. Shah’s journey, as he himself continues to discover over time, has been about the relationship between austerity and opulence.

As you enter the compound, you glimpse the home surrounded by Ashoka trees. The original terrazzo floors have been restored almost throughout, except in parts where it was too damaged—for instance, the veranda, where it was replaced with a complementary smallcut kota stone that is locally available.

“Ahmedabad is a very dusty city. In Gujarati we say, ‘dhuliyo gaam’, a dusty village, and Kota stone is forgiving,” says Shah. On the veranda, hangs an expertly crafted, Nakashima-inspired swing by Maneesh Jangid, a master carpenter.

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Denne historien er fra May - June 2024-utgaven av AD Architectural Digest India.

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IT TAKES A VILLAGE
AD Architectural Digest India

IT TAKES A VILLAGE

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AD Architectural Digest India

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LAL KOTHI
AD Architectural Digest India

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ATELIERS DE FRANCE
AD Architectural Digest India

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More than 15 million spectators are expected to descend on Paris for the Olympic and Paralympic Games this summer, and they won't be there to see only the sporting events.

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ON THE EARTH
AD Architectural Digest India

ON THE EARTH

On a bright, breezy afternoon at La Pelota in the heart of Milan-where Hermès holds its annual presentation every springBenoit Pierre Emery, the creative director of tableware, laid out a tray with pieces from the dinner service Tressages Équestres.

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JAIN HANDICRAFTS OPENS A STORE IN AHMEDABAD, DESIGNED BY SAMIR WADEKAR, WITH A CURATED COLLECTION DRAWN FROM THEIR SEA OF ANTIQUES.
AD Architectural Digest India

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When Jain Handicrafts, a multigenerational family business dealing in period furniture and objets d'art, showcased their collection at the annual AD Design Show last year, they were amazed by the positive response they received from visitors.

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MASTER WEAVER SHAMJI VANKAR TAKES A SLICE OF HIS CULTURE TO XTANT, A HERITAGE TEXTILE FESTIVAL HELD IN MALLORCA THIS SUMMER.
AD Architectural Digest India

MASTER WEAVER SHAMJI VANKAR TAKES A SLICE OF HIS CULTURE TO XTANT, A HERITAGE TEXTILE FESTIVAL HELD IN MALLORCA THIS SUMMER.

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AD Architectural Digest India

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SIX DECADES SINCE ITS ORIGIN, BAREFOOT IN COLOMBO REMAINS DEDICATED TO LATE FOUNDER BARBARA SANSONI'S LOVE OF HANDLOOM.
AD Architectural Digest India

SIX DECADES SINCE ITS ORIGIN, BAREFOOT IN COLOMBO REMAINS DEDICATED TO LATE FOUNDER BARBARA SANSONI'S LOVE OF HANDLOOM.

Amid a kaleidoscope of colours in the upholstery section of Barefoot's store in Colombo, the rolls of material stand out for their vibrant variations of green.

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