In the disused transport depot of Timişoara, western Romania, three large inflatable textile sculptures by Anetta Mona Chișa, which mimic the shape of nuclear atoms, describe their own demise. From hidden speakers, a high-pitched childlike voice, purporting to be that of ununennium, a hypothetical element not yet fully catalogued on the periodic table, narrates some sort of Armageddon situation. Across the overgrown yard, inside one of the rusting old maroon-and-beige city trams, is another series of sculptures, these ones by Cristian Răduță, in which the passengers and drivers of the vehicle have been replaced by oversize mutant animals crudely assembled out of card, tape and haphazard found materials. A spindly-legged bird, a big yellow dog, a humanoid rabbit wearing boxing gloves-given the dereliction of the yard, the decay of the vehicle and their Frankenstein form, together they inhabit the vehicle like the last survivors of some terrible trauma.
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Denne historien er fra September 2023-utgaven av ArtReview.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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"One day this boy..."
How David Wojnarowicz gave me life
Art Encounters Biennial My Rhino is Not a Myth: art science fictions
Various venues, Timişoara 19 May-16 July
Southern Discomfort
A series of upcoming biennials promise to explore the art of the 'Global South'. But what does that mean? And is the term of any practical use?
Casey Reas
Crypto has crashed and burned, but NFT visual culture is the better for it, and here's why, says the pioneering artist and programmer
Isabelle Frances McGuire
Through kitbashing and the hacking of readymades, an artist explores what digital visual culture might look like in material form
No pain, no gain?
What's primary about Matthew Barney's SECONDARY
Fine Young Cannibals
A spate of recent glitzy films have asked us to eat the rich. But what, asks Amber Husain, are we really swallowing?
Mutant Media
Animation and gaming design studios aren’t just for entertainment, claims Jamie Sutcliffe, they’re a geneticist’s lab for producing our spliced bio- cybernetic future
Midcareerism
What's an artist to do when no longer dewy and not yet long in the tooth? Martin Herbert surveys the options, none of them pretty
Diego Marcon
\"In general when I work, it's not like I'm looking for something and I find moles, it's more like moles find me, they pop up. I don't know why, I just try to remain open to these kinds of visit\"