Fine Young Cannibals
ArtReview|September 2023
A spate of recent glitzy films have asked us to eat the rich. But what, asks Amber Husain, are we really swallowing?
Amber Husain
Fine Young Cannibals

How do you like your rich? Shrouded in a marshmallow mantle ready to be toasted, flamboyantly, alive? Or simply dressed, freshly caught and about to be bludgeoned with a rock? This past year a parade of ‘eat the rich’ films has served Anglo-American audiences a healthy selection of gastronomic styles through which to wreak revenge on money. While less literal than the class-inflected spectacles of actual cannibalism we saw in the era of The Texas Chainsaw Massacre (1974), the bloodthirsty attitudes of black comedies Triangle of Sadness (2022) and The Menu (2022) are still culinarily packaged and capital-critical in name.

Supply of this kind of cultural product would seem to follow current demand, at least on a superficial level. For weren’t the years of high pandemic a social-media feeding-frenzy for wealth-hating Gen Z? Weren’t influencers on the left and further-left staging threats to ‘vore’ the Forbes richlist and stab Jeff Bezos with forks? The haste with which producers served the people what they wanted has gifted us a flurry of fabulous scenes. Who wouldn’t delight, just a little, in witnessing the wealthy guzzled by those who have been eaten away by financial hardship? And yet, if we attend more closely to the influential burghers of TikTok, we will find this is not quite what they ordered.

Denne historien er fra September 2023-utgaven av ArtReview.

Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.

Denne historien er fra September 2023-utgaven av ArtReview.

Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.

FLERE HISTORIER FRA ARTREVIEWSe alt
"One day this boy..."
ArtReview

"One day this boy..."

How David Wojnarowicz gave me life

time-read
6 mins  |
September 2023
Art Encounters Biennial My Rhino is Not a Myth: art science fictions
ArtReview

Art Encounters Biennial My Rhino is Not a Myth: art science fictions

Various venues, Timişoara 19 May-16 July

time-read
3 mins  |
September 2023
Southern Discomfort
ArtReview

Southern Discomfort

A series of upcoming biennials promise to explore the art of the 'Global South'. But what does that mean? And is the term of any practical use?

time-read
7 mins  |
September 2023
Casey Reas
ArtReview

Casey Reas

Crypto has crashed and burned, but NFT visual culture is the better for it, and here's why, says the pioneering artist and programmer

time-read
10 mins  |
September 2023
Isabelle Frances McGuire
ArtReview

Isabelle Frances McGuire

Through kitbashing and the hacking of readymades, an artist explores what digital visual culture might look like in material form

time-read
6 mins  |
September 2023
No pain, no gain?
ArtReview

No pain, no gain?

What's primary about Matthew Barney's SECONDARY

time-read
8 mins  |
September 2023
Fine Young Cannibals
ArtReview

Fine Young Cannibals

A spate of recent glitzy films have asked us to eat the rich. But what, asks Amber Husain, are we really swallowing?

time-read
3 mins  |
September 2023
Mutant Media
ArtReview

Mutant Media

Animation and gaming design studios aren’t just for entertainment, claims Jamie Sutcliffe, they’re a geneticist’s lab for producing our spliced bio- cybernetic future

time-read
4 mins  |
September 2023
Midcareerism
ArtReview

Midcareerism

What's an artist to do when no longer dewy and not yet long in the tooth? Martin Herbert surveys the options, none of them pretty

time-read
3 mins  |
September 2023
Diego Marcon
ArtReview

Diego Marcon

\"In general when I work, it's not like I'm looking for something and I find moles, it's more like moles find me, they pop up. I don't know why, I just try to remain open to these kinds of visit\"

time-read
10+ mins  |
September 2023