In the early months of the pandemic, joggers on the Bear Creek Greenway, in southern Oregon, began to notice tents cropping up by the path. The Greenway, which connects towns and parks along a tributary of the Rogue River, was beloved for its wetlands and for stands of oaks that attracted migrating birds. Now, as jobs disappeared and services for the poor shut down, it was increasingly a last-ditch place to live. Tents accumulated in messy clusters, where people sometimes smoked fentanyl, and “the Greenway” became a byword for homelessness and drug use. On a popular local Facebook page, one typical comment read, “Though I feel sorry for some of the people in that situation, most of them are just pigs.” In Medford, the largest city along the trail, police demolished encampments and ticketed people for sleeping rough.
One September evening in Medford, a white cargo van belonging to a nonprofit called Stabbin Wagon parked near the Greenway, between an auto-repair shop and a Wendy’s. For unhoused people across Oregon, cargo vans have become a symbol of help. Some contain primary-care clinics and food pantries. Others, like Stabbin Wagon’s, distribute a more controversial kind of aid: safe supplies for drug users.
Stabbin Wagon’s director, Melissa Jones, pulsed with nervous energy, and wore flip-flops and a T-shirt that read “Nothing ends homelessness like housing.” With her was Samantha Strong, a young activist with a green buzz cut and piercings. The two women—Stabbin Wagon’s only employees—opened the van’s doors to reveal plastic bins and hanging compartments of inventory, neatly arranged and all free. There were boxes of naloxone, needles of various gauges, cookers, pipes, fentanyl test strips, soap, and hand sanitizer.
Denne historien er fra January 22, 2024-utgaven av The New Yorker.
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Denne historien er fra January 22, 2024-utgaven av The New Yorker.
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GET IT TOGETHER
In the beginning was the mob, and the mob was bad. In Gibbon’s 1776 “Decline and Fall of the Roman Empire,” the Roman mob makes regular appearances, usually at the instigation of a demagogue, loudly demanding to be placated with free food and entertainment (“bread and circuses”), and, though they don’t get to rule, they sometimes get to choose who will.
GAINING CONTROL
The frenemies who fought to bring contraception to this country.
REBELS WITH A CAUSE
In the new FX/Hulu series “Say Nothing,” life as an armed revolutionary during the Troubles has—at least at first—an air of glamour.
AGAINST THE CURRENT
\"Give Me Carmelita Tropicana!,\" at Soho Rep, and \"Gatz,\" at the Public.
METAMORPHOSIS
The director Marielle Heller explores the feral side of child rearing.
THE BIG SPIN
A district attorney's office investigates how its prosecutors picked death-penalty juries.
THIS ELECTION JUST PROVES WHAT I ALREADY BELIEVED
I hate to say I told you so, but here we are. Kamala Harris’s loss will go down in history as a catastrophe that could have easily been avoided if more people had thought whatever I happen to think.
HOLD YOUR TONGUE
Can the world's most populous country protect its languages?
A LONG WAY HOME
Ordinarily, I hate staying at someone's house, but when Hugh and I visited his friend Mary in Maine we had no other choice.
YULE RULES
“Christmas Eve in Miller’s Point.”