JASS MANAK is back, baby! On December 6th, 2023, the “Prada” hitmaker walked into Rolling Stone India’s Mumbai office, signaling an end to his break from the music scene. “It feels so good to be here,” the 24-year-old said. “I’ve been away from the music industry for a while, and I feel incredible to be back.” Jass wore a noticeable glow, similar to someone returning from a relaxing vacation in the Maldives, radiating eagerness and determination for what lies ahead in his musical journey.
Jass—full name Jaspreet Singh Manak—embarked on his professional music journey in 2018. He was 19 years old. Recalling the early days, the singer expressed gratitude for the unwavering support of his friends back in his hometown of Bhakhirana, Punjab. The turning point occurred when “one fine day, my gang randomly took me to a music studio, where we ended up recording a song,” Jass shared. Initially, singing and recording were mere hobbies, but eventually, “we started taking it seriously”. “That’s when we recorded a song called ‘Prada’,” Jass told Rolling Stone India. Little did he anticipate that this track would evolve into a sensational hit, accumulating over 51 million plays on Spotify and amassing a staggering 841 million views on YouTube.
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Denne historien er fra January 2024-utgaven av RollingStone India.
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DANCE-FLOOR BLISS AND THE SEARCH FOR (POST-) HUMAN CONNECTION
Over the course of roughly a decade, CARIBOU, the electronic-leaning project from Canadian musician and composer Dan Snaith, has released intricate, sonically inventive records that cradle rhythm and history. On \"Home,\" from 2020's Suddenly, he coos softly alongside a frenetic flip of Gloria Barnes' 1971 single of the same name. There, the subtle cracks and gestures in his voice manage to breathe life into the digitally-manipulated sample. Caribou's music has so far thrived on this quality — Snaith's seemingly boundless musical curiosity and his ability to crystalize big ideas into euphoric moments of dance-floor bliss. It's why his choice to use artificial intelligence on his vocals for his latest album, Honey, feels like a misstep. Here, Snaith's voice is transformed in character and identity, at times creating revelatory moments, like on \"Come Find Me,\" where he's reimagined as a treacly-toned young woman, though in small enough doses for it to work. Elsewhere, like on the rap-adjacent \"Campfire,\" where Snaith renders himself as the sort of rapper you might hear on a Caribou track (think Definitive Jux vibes), the concept breaks down.
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For years, men have led the electronic dance music (EDM) scene, but lately, women DJs have been shaking things up in every sense. These talented artists aren't just challenging gender norms—they're redefining the art of music production and live performance. With fresh styles and creativity, they're leaving a lasting impact on the EDM world, proving that the future of dance music is vibrant, inclusive, and thrilling.
Is India's Music Festival Season : Privilege Only Few Can Afford?
With soaring ticket prices, are Inda's music festivals slipping out of reach for the average fan?
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The festival underscored the essential role of music as a universal language shaped by local culture
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Everything Everything on Their India Debut and Writing 'Emotionally Interesting Music
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INDIA'S HIP HOP MOVEMENT GAINS MOMENTUM
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TINASHE 'I'VE BEEN IN THE GAME 10 YEARS.I'M NOT NEW TO THIS.I'M TRUE TO THIS'
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