On 19 February, horror legend Stephen King took to X: 'Between you and me, Twitter, I've seen the new Salem's Lot and it's quite good. Old-fashioned horror filmmaking: slow build, big pay-off. Not sure why WB is holding it back; not like it's embarrassing or anything. Who knows. I just write the fucking things.'
No one, it seems, knew just what was happening with Gary Dauberman's adaptation of King's beloved 1975 novel about vampires taking over a small town in Maine. Announced in April 2019 and commencing principal photography in September 2021, it was set for theatrical release in September 2022, but delayed due to COVID-related hitches in post-production. And then... silence. Sure, there was the pandemic and the 2023 SAGAFTRA strike, but this mystery went deeper, and strangely chimed with the book's genesis.
'In the early 1800s a whole sect of Shakers, a rather strange, religious persuasion at best, disappeared from their village (Jeremiah's Lot) in Vermont. The town remains uninhabited to this day,' wrote King in a 1969 column for his campus newspaper at the University of Maine. It was this Mary Celeste-style enigma that inspired both his epistolary short story Jerusalem's Lot (available in the 1978 Night Shift collection), and the dense, detailed novel of 'Salem's Lot.
In all probability, Dauberman's movie vanished due to the restructuring of the Warner Bros. Discovery conglomerate. This was the same company that was behind the Batgirl and Coyote vs. Acme movies, both of which were infamously shelved as tax write-offs. Would such a fate befall Salem's Lot? fretted King's legion of fans. But the author's tweet seemed to suddenly get the wheels of industry turning: Dauberman's movie, the first based on a book that has twice been adapted into a miniseries (Tobe Hooper's 1979 iteration and a 2004 effort starring Rob Lowe), was announced to be landing on streaming platform Max in the US, and would receive a cinema release in the UK.
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Denne historien er fra October 2024-utgaven av Total Film.
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Snow Time to Die - Red One J.K. Simmons' Santa gets kidnapped. Luckily, Dwayne Johnson's on hand to save him...
If 2022's Violent Night gave us Die Hard in a Santa suit, Jake Kasdan's Red One could be retitled North Pole Has Fallen. The world imagined by Kasdan finds Saint Nick kidnapped two days before Christmas Eve. It's up to Dwayne Johnson's head of security, Callum Drift, and Chris Evans' unscrupulous hacker-for-hire, Jack O'Malley, to hunt down the man in red in time for the big day.
Back With a Vengeance - Sir Ridley Scott returns to the Colosseum with Gladiator II, the long-awaited sequel to the greatest historical epic of this century. Total Film meets the director and cast to discover how Maximus' legacy is echoing in eternity.
Ridley Scott is not a filmmaker to repeat himself. It's a trait that's all the more remarkable when you consider how prolific he's been over the nearly five decades since his feature debut, 1977's The Duellists. Alien prequels Prometheus and Alien: Covenant are the only times he's gone back to the same world, and those films are radical departures from the original.
Bad Romance - Timestalker Alice Lowe falls in love with the wrong man time and time again...
Her antidote to that? Timestalker a dark not-quite-romcom set over the course of centuries. Her protagonist Agnes finds herself attracted to the same man, Alex (Dunkirk's Aneurin Barnard), in every lifetime as she's reincarnated in the 1680s, 1790s, 1980s and the 22nd century. As romantic as that may sound, there's a bit of a catch: 'He's sort of a dickhead. On the surface he's appealing, but under, he's not.'
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