FOR YEARS, Martin Scorsese would ask himself: What will happen when I get old? As a child, Scorsese was often sick with asthma, and as an adult, he spent a good part of his 30s weakening his heart, through excess and exertion, to the point of ending up in the hospital. Mortality has always been a specter in his life, and particularly in his films, which are a vast record of violent and untimely endings. But this recurring question wasn't about death. This was: What will happen when I get old? What kind of work could I do? he would ask himself. Would there be any more depth?
In November, Scorsese will turn 81. Since his debut, 1967's Who's That Knocking at My Door, he has never stopped working for any noticeable amount of time. He has worked through addiction, four divorces, critical and commercial failure, and 13 losses (and one win) at the Academy Awards. He has made so many goodso many great-feature and documentaries I can't begin to list them all, though we can marvel at even a partial list: Mean Streets, Italianamerican, Taxi Driver, The Last Waltz, Raging Bull, Goodfellas, Casino, No Direction Home, The Departed, The Wolf of Wall Street, Silence, The Irishman. A fun dinner party topic: Did Scorsese make the best movie of each decade since the '70s? Probably not (I think his case is weakest in the first decade of this century), but you could argue it, and many people have. Still again, in the back of his head, this question about his talent and whether it would endure: "I always wondered, would it develop into anything if I got older? If I became old. Would it develop into anything? Would it be making the same movie? And if making the same movie, is that bad?" films that
Denne historien er fra October - November 2023-utgaven av GQ India.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra October - November 2023-utgaven av GQ India.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
In Haider We Hope
The role of a fashion designer is one usually forged in chaos and fired down by “creative differences”. But on the eve of a new Tom Ford directorship, Haider Ackermann has never felt more free.
VIVA VARUN
Varun Dhawan on balancing fatherhood and film shoots, and the pressure of making the right choices.
PRATIK GANDHI'S QUIET EUPHORIA
The actor―who delivered a knockout performance in Madgaon Expresson the high of a hit and the pressure of sustaining success.
THE COMEBACK KID
Buoyed by his performance in Singham Returns, Arjun Kapoor doubles down on creativity.
SCRIPTING STARDOM
Vicky Kaushal on the thrill and terror of stepping onto a Sanjay Leela Bhansali set, charting an unconventional career, and making sense of the money game.
A TRYST WITH STARDOM
Triptii Dimri segued from her left-field roots straight to the animal park. The gamble has paid off.
WALKING A TIGHTROPE
Following the monster success of Stree 2, Rajkummar Rao opens up about navigating artistic fulfilment and box-office glory.
THE MAHARAJA OF MEHRAULI
It's been an action-packed year for Tarun Tahiliani, the emperor of Indian couture.
LONE WARRIOR
Kartik Aaryan on why, in an industry that only watches out for its own, he has to blow his own trumpet.
HITS AND HEARTBREAKS
Filmmaker Imtiaz Ali talks about redeeming himself with the extraordinary Chamkila, dealing with star-studded setbacks, and why we've forgotten to make love stories.