IN AN INDUSTRY where it takes only a few films for an artist to flatten out their uniqueness and start playing variations of themselves, Pratik Gandhi stands out as a refreshing aberration. There’s an inherent ease with which he’s able to slip in and out of parts, one that’s achieved without too much strain, without too much effort. The performance feels good because the craft is invisible.
The worlds of Hansal Mehta’s zeitgeisty show Scam 1992 (2020), which propelled Gandhi into instant stardom, and Kunal Kemmu’s comedy film Madgaon Express (2024) couldn’t be further apart. The former is a story of an ordinary Gujarati man who orchestrates the country’s biggest financial fraud, the latter is a drug-fuelled comic caper about a bunch of Mumbai boys whose Goa trip spirals into an unending nightmare.
And yet, Gandhi infuses so much charm, humanity, and humour in both these parts, it’s impossible to believe that until 2016 he was juggling a full-time corporate gig with sporadic theatre work, trying hard to find a foothold in an inequitable industry. An ordinary actor would’ve played Harshad Mehta as an archetype—a scheming ’90s strongman out to defy a rigged system—but Gandhi brought in a vulnerability that made us root for him to get away with it.
In Madgaon Express, it’s his physicality—he’s performing with his entire body, evoking laugh after laugh, negotiating a fine line, never going overboard or making it Chaplin-esque. Gandhi credits Kemmu for being so thorough with his prep that it made the shoot an actual joyride. “He was so prepared that he narrated the script to us by enacting all the scenes. He assumed the distinct voice of each character, beat by beat. There was little doubt in his head and I think that’s because the voice of the film, the humour in the film, is very uniquely Kunal’s. He’s as funny in real life.”
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Denne historien er fra December 2024 - January 2025-utgaven av GQ India.
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In Haider We Hope
The role of a fashion designer is one usually forged in chaos and fired down by “creative differences”. But on the eve of a new Tom Ford directorship, Haider Ackermann has never felt more free.
VIVA VARUN
Varun Dhawan on balancing fatherhood and film shoots, and the pressure of making the right choices.
PRATIK GANDHI'S QUIET EUPHORIA
The actor―who delivered a knockout performance in Madgaon Expresson the high of a hit and the pressure of sustaining success.
THE COMEBACK KID
Buoyed by his performance in Singham Returns, Arjun Kapoor doubles down on creativity.
SCRIPTING STARDOM
Vicky Kaushal on the thrill and terror of stepping onto a Sanjay Leela Bhansali set, charting an unconventional career, and making sense of the money game.
A TRYST WITH STARDOM
Triptii Dimri segued from her left-field roots straight to the animal park. The gamble has paid off.
WALKING A TIGHTROPE
Following the monster success of Stree 2, Rajkummar Rao opens up about navigating artistic fulfilment and box-office glory.
THE MAHARAJA OF MEHRAULI
It's been an action-packed year for Tarun Tahiliani, the emperor of Indian couture.
LONE WARRIOR
Kartik Aaryan on why, in an industry that only watches out for its own, he has to blow his own trumpet.
HITS AND HEARTBREAKS
Filmmaker Imtiaz Ali talks about redeeming himself with the extraordinary Chamkila, dealing with star-studded setbacks, and why we've forgotten to make love stories.