THE 1 TRAIN HAS been hijacked. A heroic passenger in Guess jeans and UGGs pats down the steel walls of her subway car, determined to break into the conductor’s cabin and activate the emergency brakes before the train careers off the tracks. She fiddles with dials, rummages through under-seat compartments, and wriggles her right hand into a mysterious hole that conceals a lever inside a metal labyrinth. Her whale tail plays peekaboo as she inspects things and then straightens up again. Though the clock is ticking, the woman appears unstressed. She moves with the glazed, indifferent look of a teenager playing Candy Crush under the table at a mandatory family function.
The woman is PinkPantheress, the quasi-anonymous British artist and TikTok sensation who introduced normie Americans to the U.K. underground with mini, powder-dusted takes on garage and drum and bass during the pandemic. Since then, she has become a vanguard figure in popular music, ushering in a wave of breakbeat pop. At 23, she is unwillingly upheld as the epitome of her age demographic. To skeptics, she and her two-minute songs portend a youth-attention collapse. “People think of me as some sort of Gen-Z final boss,” she says, rolling her eyes. “Like, ‘Oh my God, she’s trying to ruin the minds of the kids.’”
Denne historien er fra The Cut Special Issue - September 2024-utgaven av New York magazine.
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Denne historien er fra The Cut Special Issue - September 2024-utgaven av New York magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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THE BEST ART SHOWS OF THE YEAR
IN NOVEMBER, Sotheby's made history when it sold for a million bucks a painting made by artificial intelligence. Ai-Da, \"the first humanoid robot artist to have an artwork auctioned by a major auction house,\" created a portrait of Alan Turing that resembles nothing more than a bad Francis Bacon rip-off. Still, the auction house described the sale as \"a new frontier in the global art market.\"
THE BIGGEST PODCAST MOMENTS OF THE YEAR
A STRANGE THING happened with podcasts in 2024: The industry was repeatedly thrust into the spotlight owing to a preponderance of head-turning events and a presidential-election cycle that radically foregrounded the medium's consequential nature. To reflect this, we've carved out a list of ten big moments from the year as refracted through podcasting.
THE BEST BOOKS OF THE YEAR
THE YEAR IN CULTURE - BEST BOOKS
THE BEST THEATER OF THE YEAR
IT'S BEEN a year of successful straight plays, even measured by a metric at which they usually do poorly: ticket sales. Partially that's owed to Hollywood stars: Jeremy Strong, Jim Parsons, Rachel Zegler, Rachel McAdams (to my mind, the most compelling).
THE BEST ALBUMS OF THE YEAR
2024 WAS one big stress test that presented artists with a choice: Face uncomfortable realities or serve distractions to the audience. Pop music turned inward while hip-hop weathered court cases and incalculable losses. Country struggled to reconcile conservative interests with a much wider base of artists. But the year's best music offered a reprieve.
THE BEST TELEVISION OF THE YEAR
IT WAS SURPRISING how much 2024 felt like an uneventful wake for the Peak TV era. There was still great television, but there was much more mid or meh television and far fewer moments when a critical mass of viewers seemed equally excited about the same series.
THE BEST COMEDY SPECIALS OF THE YEAR
THE YEAR IN CULTURE - COMEDY SPECIALS
THE BEST MOVIES OF THE YEAR
PEOPLE LOVED Megalopolis, hated it, puzzled over it, clipped it into memes, and tried to astroturf it into a camp classic, but, most important, they cared about it even though it featured none of the qualities you'd expect of a breakthrough work in these noisy times.
A Truly Great Time
This was the year our city's new restaurants loosened up.
The Art of the Well-Stuffed Stocking
THE CHRISTMAS ENTHUSIASTS on the Strategist team gathered to discuss the oversize socks they drape on their couches and what they put inside them.