GT: What is it about guitar instrumentals that appeals to you?
DG: They celebrate the instrument and allow it to be the primary force in the piece. Many of my first guitar heroes - Steve Vai, Greg Howe, Jason Becker - were all focusing on guitar instrumentals, so it was natural to explore that as my first creative direction. As I have matured as a composer, I’ve become more interested not just in venerating the guitar, but in integrating it, and contrasting it with other instruments. What I’m working on now is expanding and redefining the role of the guitar in my own composition.
GT: What can an instrumental provide a listener that a vocal song can’t?
DG: The lyrics can provide a clear guide through the structure of a piece, making it comprehensible. What I like about instrumental music is the purity of it - expressing through sound rather than language. That renders it more universal. There is greater room for interpretation and imagination for composer and listener.
GT: Any tendencies you embrace or avoid - rhythms, harmony, playing approach, etc?
DG: Harmony is my great passion and primary focus for creating interesting environments and moods. Guitar instrumentals often lean heavily into rhythm or melody, with harmony being less deeply explored. I take a lot of inspiration from 20th century composers like Stravinsky, Poulenc, Lyadov and Gliere, as well as baroque, like Corelli and Bach. Counterpoint is another area of obsession for me. While much less frequently used now, multiple melodic lines intertwining is as charming today as it was in the baroque period. I avoid the use of riffs. I think it’s a device that has been more than adequately represented.
Denne historien er fra August 2023-utgaven av Guitar Techniques.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra August 2023-utgaven av Guitar Techniques.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
PAT METHENY
Nick Mellor offers an insight into the jazz great's 16th-note lines, and his approach to improvising over static Minor and Dominant 7th chords.
MARTIN MILLER
Another fabulous JTC guitarist demonstrates his impressive techniques for us, focusing on an approach called Rythmically Dependent Alternate Picking.
THE KINKS' RAY DAVIES
This month Stuart Ryan takes a virtual trip into to North London to get to grips with the acoustic style of the original Muswell Hillbilly.
STEVE LUKATHER
This month Andy G Jones looks at the fluent soloing style of the LA guitarist who co-founded Toto in 1977 then ruled the 80s session scene.
JEFF HANNEMAN
This month Charlie Griffiths Shows No Mercy as he lays down the gauntlett with five shred licks from Slayer's undisputed master of attitude.
10CC
This month Martin Cooper checks out Eric Stewart and Lol Crème, whose distinctive styles helped give this UK band its unique sound.
T-BONE WALKER
From the heart of Texas to the cool West Coast, join David Gerrish on the journey of this hugely influential electric blues guitar innovator.
FERDINANDO CARULLI Andantino In G (Opus 241)
This month Declan Zapala goes back to basics to explore core classical technique with this emotive miniature by the pioneer of classical guitar playing.
THE CROSSROADS Steely Dan's Mu Chord
This month John Wheatcroft shows us how Donald Fagen and Walter Becker dressed their harmony to the 'nines, as he explores their trademark chord voicings.
GET YOUR MOJO WORKING! 60 Years Of Blues Licks
From the Kings to Jimi and Eric, Blackmore, Stevie Ray, Gary Moore, John Mayer, JoBo and beyond, Jon Bishop introduces six decades of blues guitar innovation.
