GT: Do you have a type of pick that you can’t live without?
JD: I play with .60 grade Jim Dunlop picks because I can hold them in the palm of my picking hand. I play with my fingers a lot to get the tones I need.
GT: If you had to give up all your pedals but three, what would they be?
JD: If I could only keep three pedals it would be an original tube tape Echoplex and the stock Reverb/Tremelo pedal from my 1966 Fender Reverb.
GT: Do you play another instrument well enough to do so in a band? If so, have you ever done it?
JD: Yes, I’ve played drums and bass before in bands. I also play piano, but I have to say I’m no virtuoso.
GT: If a music chart were put in front of you, could you read it? JD: Yes, but it’s like a foreign language. If you don’t use it, you lose it. The musician Beck; his father is a renowned orchestra arranger. I got to play on a few big sessions in Los Angeles with him and my chops were way better back then.
GT: Do guitar cables really make a difference? What make are yours?
JD: I love being cordless on a big stage, but I can hear the difference in my tone, so I use Monster guitar cables.
GT: Is there anyone’s playing (past or present) that you’re slightly jealous of?
JD: Jealous is a weird word because it implies that you think you’re worthy of their talent. I’m very inspired by Jeff Beck’s touch, Buddy Guy’s emotion, Jerry Reed’s fingerpicking, Keith Richards’ riffs, but I’ll never be worthy of it!
Denne historien er fra November 2023-utgaven av Guitar Techniques.
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Denne historien er fra November 2023-utgaven av Guitar Techniques.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
THE MOODY BLUES
This month Stuart Ryan delves into the picking style of this British prog legend whose acoustic guitar has powered many a Moody Blues song.
WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.
