New York based Norwegian guitarist Lage Lund was awarded the prestigious Theolonius Monk International Jazz Guitarist award in 2005. And from that moment to this he has carved a remarkably successful career as both bandleader and in-demand sideman, with an ever-growing portfolio of album releases to his name. Lund’s playing is both beautiful and complex. He expertly balances a cerebral approach to music with a heartfelt emotional intensity, but never without a lyrical and expressive quality to his sound.
There’s an underlying intelligence and intricacy to everything he plays, yet it never sounds mechanical or overly intellectual. His tone is both warm and clear and his rhythmic sense propulsive and defined. While his solos are always breathtaking, he’s also a fantastic accompanist, where he combines a sensitive ear with an encyclopaedic knowledge of chord voicings, voice leading and harmony.
Lage adopts a detailed and meticulous approach to practising, with pinpoint precision and focus. I was fortunate to attend a masterclass he gave in London where, among other things, he talked about the power of focusing on just one area of your playing and ensuring that you revisit this topic on a daily basis. One can really sense the endless possibilities and the infinite potential of any idea in his lines, his use of harmony, manipulation of time, and every other facet of his music.
Denne historien er fra June 2023-utgaven av Guitar Techniques.
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Denne historien er fra June 2023-utgaven av Guitar Techniques.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
THE MOODY BLUES
This month Stuart Ryan delves into the picking style of this British prog legend whose acoustic guitar has powered many a Moody Blues song.
WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.