Samantha Fish was in the middle of a UK tour when she dropped by Guitarist's studios at the end of last year. She was eager to talk about the ominously titled Death Wish Blues, her newest project that sees her teaming up with US Americana guitarist Jesse Dayton. The album features some of Samantha's grittiest performances to date, replete with her Gibson SG-fuelled guitar playing and stunningly soulful vocals. The tour was going well, apart from her having to undertake some running repairs to her road-weary cigar-box guitar, but thankfully gaffer tape saved the day once again.
As we settled down to chat, she revealed the guitar wasn't her first instrument. In fact, she joins the ranks of players like Eddie Van Halen and Nuno Bettencourt who also started their journeys in music with the drums. We find out more...
What made you switch from drums to the guitar?
"In my house, when I was growing up, the drums were stationary and they were in the basement. To be honest, I was kind of scared of my basement - it was creepy. I don't know, it's just there was something about the guitar. I could pick it up and I could go outside and I could sit on the grass and I could be wherever. I started lessons on drums when I was 13 and I don't think I had the discipline at that point because, when you're going every week, they're giving you lesson plans and all of a sudden you have homework. I think, for me at that time, it stopped being fun and creative and it became just another part of my homework that I had to do.
"When I found the guitar, it was like a little bit of freedom. But I love the drums and I honestly encourage everybody to learn how to play drums if you're into music. If you pick up the drums first, it's going to instil a metronome within you and you're going to learn about groove. It's the building block of everything."
Denne historien er fra June 2023-utgaven av Guitarist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra June 2023-utgaven av Guitarist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more