In March 1981, Prog readers would have been forgiven for raising an eyebrow in surprise upon seeing Dave Stewart, previously keyboardist with Egg, Hatfield And The North and National Health, sharing a Top Of The Pops stage with The Zombies' Colin Blunstone. They were there promoting Stewart's delightfully skewed reworking of Jimmy Ruffin's What Becomes Of The Broken Hearted as it hovered just outside the UK's Top 10.
But that surprise would be as nothing compared to the shock of seeing Stewart back on the show a few months later, this time with Barbara Gaskin singing an equally idiosyncratic arrangement of Lesley Gore's 1963 teen-angst hit, It's My Party. When the song settled down to a four-week stint at No.1 nobody was more astonished than the duo themselves. "It was just completely bizarre," says Gaskin, reflecting on the strange and unexpected turn in their careers that ultimately changed their lives. "We'd both been in bands prior to that and we were 30 when we had that hit, so we were kind of mature, but of course, we were very surprised when it shot up the charts."
"It was insane," recalls Stewart. "It was like a kind of crazy film made by a lunatic director of what could happen to serious musicians if they take a step to the left into a new dimension. It was like a fantasy film."
His previous forays into TV had been with National Health on The Old Grey Whistle Test and as a member of Bill Bruford's band on BBC Two series Rock Goes To College at the tail-end of the 1970s. While both of these could be said to embody the kind of show on which you'd expect to encounter Dave Stewart, fronting a single that become a best-seller in places as far afield as Germany and Australia was most definitely not.
Recording the song was intended to be nothing more than a laugh at the time, says Stewart now.
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Denne historien er fra Issue 141-utgaven av Prog.
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JAKKO M JAKSZYK
King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.
A Part & Yet Apart
Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.
CONTROLLED AIRSPACE
He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.
On The Wing
Birds, break-ups, big choruses and the Charlie Chaplin effect can all be found on In Murmuration, the ninth album from Finland's Von Hertzen Brothers. But as they embrace their power pop influences, have the Finns cast off their prog wizard cloaks once and for all? Mikko von Hertzen talks about the Seattle influence, songwriting secrets and sax solos.
Fourth Dimension
The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.
Symphly The Best
In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, they’re celebrating last year’s performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the band’s ambitious early years and bassist Craig Fletcher fills Prog in on JLBJH’s upcoming “progtastic” double album.
We've Not Been Expecting You
The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.
FAR HORIZONS AND PANORAMIC AMBITIONS
Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.
'I mean, what is classical nowadays?'
Tony Banks reflects on his role as a 21st-century classical composer.
There Can Be Only One!
Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael Åkerfeldt and guitarist Fredrik Åkesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.