JAKKO M JAKSZYK
Prog|Issue 154
King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.
Dave Everley
JAKKO M JAKSZYK

If Jakko Jakszyk’s music career ever ended, he’d make a great impressionist. An hour-long conversation about his fantastic new autobiography, Who’s The Boy With The Lovely Hair?, sees him mimicking everyone from Sir Richard Attenborough to Michael Jackson, both of whom are among the dozens of gobsmacking cameos in the book. It tells the twin stories of his journey from teenage prog fan to latterday member of King Crimson, as well as the moving, sometimes frustrating saga of his attempt to track down the woman who gave him up for adoption as a child. Not for nothing is it subtitled ‘The Unlikely Memoir Of Jakko M Jakszyk.’.

What made you want to write an autobiography?

I think it was finally discovering my father after 60-odd years of thinking about it, and this mad journey to get there. The musical story and the family story are bizarrely connected: it’s the whole sliding doors thing. Had my mother not had me adopted, would I have ended up in King Crimson? I might have ended up in America in some fucking country and western band.

Becoming a musician seemed to be third on the list of things you wanted to do, after football and acting.

They all seemed equally deluded, but being in King Crimson was the most ludicrous of all. I gave up on football after I stood at the side of the pitch for ages as a substitute and then they dragged me on for 10 minutes. Instead of going, “I’ll try for another team”, I just thought, “All right, that avenue’s closed.” And then I joined the National Youth Theatre, and we did all these amazing productions. But the final straw was when I got a lift to an audition from this girl I knew. She wasn’t going to audition, but they gave her a job and not me. I was unbelievably arrogant back then.

Denne historien er fra Issue 154-utgaven av Prog.

Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.

Denne historien er fra Issue 154-utgaven av Prog.

Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.

FLERE HISTORIER FRA PROGSe alt
JAKKO M JAKSZYK
Prog

JAKKO M JAKSZYK

King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.

time-read
4 mins  |
Issue 154
A Part & Yet Apart
Prog

A Part & Yet Apart

Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.

time-read
5 mins  |
Issue 154
CONTROLLED AIRSPACE
Prog

CONTROLLED AIRSPACE

He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.

time-read
6 mins  |
Issue 154
On The Wing
Prog

On The Wing

Birds, break-ups, big choruses and the Charlie Chaplin effect can all be found on In Murmuration, the ninth album from Finland's Von Hertzen Brothers. But as they embrace their power pop influences, have the Finns cast off their prog wizard cloaks once and for all? Mikko von Hertzen talks about the Seattle influence, songwriting secrets and sax solos.

time-read
7 mins  |
Issue 154
Fourth Dimension
Prog

Fourth Dimension

The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.

time-read
5 mins  |
Issue 154
Symphly The Best
Prog

Symphly The Best

In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, they’re celebrating last year’s performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the band’s ambitious early years and bassist Craig Fletcher fills Prog in on JLBJH’s upcoming “progtastic” double album.

time-read
7 mins  |
Issue 154
We've Not Been Expecting You
Prog

We've Not Been Expecting You

The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.

time-read
7 mins  |
Issue 154
FAR HORIZONS AND PANORAMIC AMBITIONS
Prog

FAR HORIZONS AND PANORAMIC AMBITIONS

Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.

time-read
5 mins  |
Issue 154
'I mean, what is classical nowadays?'
Prog

'I mean, what is classical nowadays?'

Tony Banks reflects on his role as a 21st-century classical composer.

time-read
8 mins  |
Issue 154
There Can Be Only One!
Prog

There Can Be Only One!

Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael Åkerfeldt and guitarist Fredrik Åkesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.

time-read
5 mins  |
Issue 154