"If Francis found out there were Curved Air fans in the audience he'd sneak part of Piece Of Mind into his playing of Bach's music with great feeling." In recalling their founding member, keyboard and guitar player Francis Monkman, who died in May, UK prog rockers Curved Air perhaps answered a question that some fans may have wondered since he last featured in the band in 1990: whatever happened to Francis Monkman?
In truth, the classically trained musician remained working with music, notably with his beloved harpsichord and the work of composer Johann Sebastian Bach, but stayed out of the public spotlight, something that always seemed to be more comfortable to the musician than hogging the limelight. And yet ironically, thanks to Monkman's involvement in scores of some of the biggest films of the 1980s and 1990s, millions would have heard his work, albeit possibly without knowing it. And he never forgot his progressive rock roots.
Born Anthony Francis Keigwin Monkman in Hampstead, London, on June 9, 1949, he showed a flair for music at an early age, studying both organ and harpsichord at Westminster School, where he was a pupil. He later attended the Royal Academy of Music where he won the Raymond Russell prize for virtuosity on the harpsichord, before gaining membership of The Academy Of St Martin In The Fields.
"Francis and I first met at the Orange music shop in Denmark Street in 1969," recalls his soon-to-be Curved Air colleague, violinist Darryl Way. "I was there trying out my newly amplified electric violin when Francis strode over and we got talking. During the conversation we discovered that we had a lot in common. Both of us were classical music students, Francis studying at the Royal Academy and me at the Royal College, and both of us had a burning desire to get into rock music."
That desire initially manifested itself in early progressive rock outfit Sisyphus.
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Denne historien er fra Issue 141-utgaven av Prog.
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JAKKO M JAKSZYK
King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.
A Part & Yet Apart
Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.
CONTROLLED AIRSPACE
He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.
On The Wing
Birds, break-ups, big choruses and the Charlie Chaplin effect can all be found on In Murmuration, the ninth album from Finland's Von Hertzen Brothers. But as they embrace their power pop influences, have the Finns cast off their prog wizard cloaks once and for all? Mikko von Hertzen talks about the Seattle influence, songwriting secrets and sax solos.
Fourth Dimension
The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.
Symphly The Best
In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, they’re celebrating last year’s performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the band’s ambitious early years and bassist Craig Fletcher fills Prog in on JLBJH’s upcoming “progtastic” double album.
We've Not Been Expecting You
The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.
FAR HORIZONS AND PANORAMIC AMBITIONS
Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.
'I mean, what is classical nowadays?'
Tony Banks reflects on his role as a 21st-century classical composer.
There Can Be Only One!
Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael Åkerfeldt and guitarist Fredrik Åkesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.