Michel St-Père is obviously a very happy man, thrilled to have finally released Mystery's latest album, Redemption - which, despite the global events of the last three years, has exceeded all his expectations in terms of pre-sales and rave reviews.
"The comments about it are all positive so far and the pre-sale went really well. It's been our best ever, so I think the fans did not forget about us during the past four years," enthuses Mystery's founder, guitarist, composer and producer. "We're very happy about this, especially as we have sold a lot of the records in the UK."
From beginning to end, Redemption is another Mystery masterclass in how to channel influences from classic British prog and US AOR, elevating them into panoramic symphonic soundscapes, full of moments that catch the breath and capture the imagination. Though much of the album was written and half-recorded before the pandemic, the enforced hiatus gave St-Père time to reflect, his observations providing the overarching theme for both the title track and epic closer Is This How the Story Ends?
Speaking to Prog from Mysteron HQ in Montreal, St-Père recalls: "The band were touring and it was going really well. There were many concerts prepared in 2020 - but all of them were cancelled so we lost track of what we were doing. We also lost the point of rushing to do the new album, so we put it aside and released the Blu-ray concert Caught In The Whirlwind Of Time in 2020 instead. Meanwhile, I continued working on the album, making the new songs.
"When we started touring again, we went to the Midsummer Prog Festival in the Netherlands last year. It was there we decided to get the new album out. It was like kicking our butt to get it finished!"
Denne historien er fra Issue 142-utgaven av Prog.
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Denne historien er fra Issue 142-utgaven av Prog.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
The Bottom Line
The experimental Aussies have turned heads with their dual bass player set-up, but chief songwriter Matt Fack says The Omnific are no mere gimmick. Having honed their craft to its sharpest point with' second album The Law Of Augmenting Returns, he sits down with Prog to discuss their desire to redefine what bass guitars can do.
UNFADING MEMORIES
Experimental Norwegian jazz-rock trio Elephant9 return with eight new tracks that make up the exploratory Mythical River. The band's co-founders, bassist Nikolai Hængsle and keyboard player Ståle Storløkken, reveal the appeal of long coffee breaks, collabs with Led Zep bassist John Paul Jones, and why three really is the magic number.
Life, Death And The Decemberists
Death, Billy Joel and angelic visitations are just three of the ingredients that shaped The Decemberists' latest album As It Ever Was, So It Will Be Again. Vocalist Colin Meloy talks to Prog about creativity as a form of hallucination, sneaking progressive music into the record collections of unsuspecting listeners, and why you have to earn the long songs.
Spellbinding
Singer-songwriter, multi-instrumentalist and producer Jo Beth Young is back with a third album, which she describes as art-pop or experimental folk. Prog catches up with Young to learn more about the inspiration and process behind the thought-provoking Broken Spells.
COME BACK STRONGER
Tears For Fears, an A-grade solo from Steve Rothery and, erm, whalesong have all made their mark on the current release from Dave Foster Band. The guitarist and vocalist Dinet Poortman discuss their more relaxed approach to Maybe They'll Come Back For Us, and Foster opens up about his recent departure from Big Big Train.
A Family Affair
Norwegian chamber proggers Meer are back with their hotlyanticipated third album, Wheels Within Wheels. Prog catches up with co-vocalist Johanne Kippersund Nesdal and guitarist Eivind Strømstad to discuss the writing process, running their own festival and the challenges of being part of an octet.
Goodbye Blue Sky
When Pure Reason Revolution made an unexpected but very welcome return with 2020's Eupnea, all eyes were on them to see what they'd do next. However, internal changes, personal grief and a case of writer's block made the future seem less certain. New album Coming Up To Consciousness allays those fears with a selection of powerful new material and a modified line-up. Frontman Jon Courtney chats to Prog about finding inspiration during dark times, working with Guy Pratt and his renewed vigour for the band he founded at university.
PYRAMANIA
Egypt's pyramids have long captivated our imagination, with some even believing the magnificent structures harness magical or healing powers. In 1978, masters of the concept album The Alan Parsons Project explored themes of pyramid power and ancient magic on their third studio album, Pyramid. Prog and Parsons step back in time to uncover the story behind the group's Grammynominated and recently reissued record.
Still Life
\"I like to mix things that don't belong together and see what happens,\" says Eivør Pálsdóttir. The singer-songwriter talks to Prog about channelling the folk traditions of her Faroese home, the power of solitude, and the inspiring magic of the natural world into her transformative new album ENN.
Prog, Pop and Progress
By stripping back their instrumentation, Norway's art-rock sensations Leprous have found a different beast lurking below. Heavier and catchier than ever, they hope it can help them reach new frontiers. Prog catches up with vocalist Einar Solberg and guitarist Tor Oddmund Suhrke to uncover the story behind their new album, Melodies Of Atonement.
