"That was scary, man. Really," says Lars Fredrik Frøislie. As the keyboard wizard of Norway's brilliant Wobbler, composer for film and TV, and a producer, Frøislie is a seasoned, accomplished musician. But with his solo debut Fire Fortellinger, he not only plays everything but the bass himself, he sings too. "I've only done backing vocals before," says Frøislie. "Just to release a solo album under my name is scary. I had no idea what people would think so it's rather frightening. It's a completely different thing to a band where I'm hiding in the back. Here I am really in the front."
Fire Fortellinger, or 'Four Stories', was born from the restrictions of lockdown. With nowhere to go and temporarily detached from his Wobbler bandmates, Frøislie started making music! his home basement studio. It was, he says, "to keep my sanity." Working alone was a contrast to Wobbler's creative process, but that's what Frøislie wanted.
"In a band it's very democratic," he says, "and for the last three albums, we've jammed and worked off each other. You present one riff and then another... how about this? And it can take forever, for good or bad, but on this solo project, I wanted to make it spontaneously and quickly, not ponder too much, just go with my gut feelings." Initially, Frøislie started with no greater intent than to put down some ideas he could develop at a later date.
Denne historien er fra Issue 141-utgaven av Prog.
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Denne historien er fra Issue 141-utgaven av Prog.
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Allerede abonnent? Logg på
JAKKO M JAKSZYK
King Crimson's vocalist and guitarist shares anecdotes from his revealing new autobiography, discusses his lost career as a footballer and reveals what he said when he met the former king of pop.
A Part & Yet Apart
Sheffield-based 80s proggers Haze have returned with a new studio album, The Water's Edge - their third since their 2013 comeback record, The Last Battle. Prog catches up with threequarters of the band to discuss Haze's DIY ethos, the curse of prog and playing to Cumbrian sheep farmers.
CONTROLLED AIRSPACE
He's about to embark on Dream Theater's 40th Anniversary Tour, but keyboard maestro Jordan Rudess has taken time out to discuss his soaring new solo album, Permission To Fly.
On The Wing
Birds, break-ups, big choruses and the Charlie Chaplin effect can all be found on In Murmuration, the ninth album from Finland's Von Hertzen Brothers. But as they embrace their power pop influences, have the Finns cast off their prog wizard cloaks once and for all? Mikko von Hertzen talks about the Seattle influence, songwriting secrets and sax solos.
Fourth Dimension
The stock of melodic Northumberland-based proggers Stuckfish has been rising since they formed six years ago. Their fourth studio album, Stuckfish IV, represents an important watershed in the band's musical evolution. Co-founders Adrian Fisher and Phil Stuckey tell Prog about the diverse influences that have helped to shape it.
Symphly The Best
In the 70s, Barclay James Harvest almost bankrupted themselves by performing with an orchestra, but, several decades on, they’re celebrating last year’s performance with the Slaithwaite Philharmonic, captured on their latest live record, Philharmonic! The Orchestral Concert. John Lees reminisces over the band’s ambitious early years and bassist Craig Fletcher fills Prog in on JLBJH’s upcoming “progtastic” double album.
We've Not Been Expecting You
The unpredictable Frost* are back with Life In The Wires, a bold double concept album that revisits the mood of Milliontown. Bandleader Jem Godfrey tells Prog why he rolled out the solos on a record he describes as the most fun since their dazzling debut.
FAR HORIZONS AND PANORAMIC AMBITIONS
Dutch five-piece Lesoir have been steadily gathering momentum over the last 15 years, and they hope to build on that with their latest release, Push Back The Horizon. Vocalist/ instrumentalist Maartje Meessen and guitarist Ingo Dassen discuss the creation of their sixth album, working with Muse's production team, and their dream of bringing their intricate music to new audiences.
'I mean, what is classical nowadays?'
Tony Banks reflects on his role as a 21st-century classical composer.
There Can Be Only One!
Never meet your heroes, or so the saying goes, but Opeth have had a blast working with Ian Anderson on their latest, The Last Will And Testament. Bandleader Mikael Åkerfeldt and guitarist Fredrik Åkesson discuss the band's proggiest album to date, the return of the growl and why blood isn't always thicker than water.
