As surprising as it seems, for the last five months of 1988, Marillion were an instrumental quartet. After the acrimonious departure of frontman Fish that summer, Aylesbury's finest were faced with the unenviable task of deciding what to do next. They were still working on new music, of course, because that's what they'd always done (and still do nearly 35 years later), but the spotlight that had illuminated their former singer was now hitting an empty centre-stage.
"There was a sense of relief when Fish left, to be honest," says guitarist Steve Rothery. "It was like a huge weight was lifted off our shoulders, just because things had got so bad. What had been a great working and personal relationship had degraded to the point where it was just unworkable. This was a bit of a journey into the unknown, but we had faith in the music that we'd already written, and that sustained us."
"Strangely enough, I don't think any of us were panicking, like, 'Oh my God, what are we going to do?'" says bassist Pete Trewavas. "It wasn't a shock-and-awe moment. It was more, 'We're just going to carry on because we're good at what we do!' We knew what we did and we knew its worth. We also realised that we had some good music, and we just wanted to complete the new equation with a good singer. It was worth the wait to find somebody like Steve Hogarth, it really was."
Part of the huge challenge that Marillion were now facing was that Fish had been such a distinctive lyricist and character, and one whose entire persona and approach were inextricably woven into everything that the band had released. Replacing such a charismatic figure was no small task, but Trewavas, Rothery, keyboard player Mark Kelly and drummer Ian Mosley remained united, determined to use this unexpected pause in their story as a means to forge ahead anew.
Denne historien er fra Issue 141-utgaven av Prog.
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Denne historien er fra Issue 141-utgaven av Prog.
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