The indie-rock band The National has long served as a mascot for a certain type of guy: literary, self-effacing, mordantly cool. With cryptic lyrics and brooding instrumentation, the quintet of scruffy brothers and schoolmates from Ohio conveys the yearnings of the sensitive male psyche. The band's lead singer, Matt Berninger, has a voice so doleful and deep that it seems to emanate from a cavern. His typical narrator is a wallflower pining for validation from the life of the party-the romantic swooning of a man in need of rescue.
In the mid-to-late aughts, as The National was gathering acclaim with darkly experimental albums, another artist was rising to prominence: Taylor Swift. On the surface, these two acts are starkly different. Where The National's songwriting is impressionistic, Swift's is diaristic-built on personal stories that typically forgo abstraction or even difficult metaphor. Where The National's charisma lies in its mysteriousness, Swift earnestly says just what she means. The National is known for somber dude-rock; Swift found fame with anthems of heartbroken but upbeat young womanhood. (In her 2012 hit "We Are Never Ever Getting Back Together," she even jabbed at pretentious guys who are obsessed with duderock, like the ex who ran off to listen to "some indie record that's much cooler than mine.") The National became the house band for a certain segment of Millennial yuppies; Swift became one of the biggest stars in the world.
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Denne historien er fra May 2023-utgaven av The Atlantic.
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You Are Going to Die - Oliver Burkeman has become an unlikely self-help guru by reminding everyone of their mortality.
"The average human lifespan," Oliver Burkeman begins his 2021 megabest seller, Four Thousand Weeks: Time Management for Mortals, "is absurdly, terrifyingly, insultingly short." In that relatively brief period, he does not want you to maximize your output at work or optimize your leisure activities for supreme enjoyment. He does not want you to wake up at 5 a.m. or block out your schedule in a strictly labeled timeline.
Washington's Nightmare - Donald Trump is the tyrant the first president feared.
Last November, during a symposium at Mount Vernon on democracy, John Kelly, the retired Marine Corps general who served as Donald Trump's second chief of staff, spoke about George Washington's historic accomplishments— his leadership and victory in the Revolutionary War, his vision of what an American president should be. And then Kelly offered a simple, three-word summary of Washington's most important contribution to the nation he liberated.
The Elite College Students Who Can't Read Books - To read a book in college, it helps to have read a book in high school.
Nicholas Dames has taught Literature Humanities, Columbia University's required greatbooks course, since 1988. He loves the job, but it has changed. Over the past decade, students have become overwhelmed by the reading, College kids have never read everything they're assigned, of course, but this feels different. Dames's students now seem bewildered by the thought of finishing multiple books a semester. His colleagues have noticed the same problem.
What Zoya Sees
Long a fearless critic of Israeli society, since October 7 Zoya Cherkassky-Nnadi has made wrenching portraits of her nation's sufferingand become a target of protest.
Malcolm Gladwell, Meet Mark Zuckerberg
The writer’ insistence on ignoring the web is an even bigger blind spot today than it was when The Tipping Point came out.
Alan Hollinghurst's Lost England
In his new novel, the present isnt much better than the past—and its a lot less sexy.
Scent of a Man
In a new memoir, Al Pacino promises to reveal the person behind the actor. But is he holding something back?
CATCHING THE CARJACKERS
ON THE ROAD WITH AN ELITE POLICE UNIT AS IT COMBATS A CRIME WAVE
THE RIGHT-WING PLAN TO MAKE EVERYONE AN INFORMANT
In Texas and elsewhere, new laws and policies have encouraged neighbors to report neighbors to the government.
The Playwright in the Age of AI
In his new play, McNeal, Ayad Akhtar confronts, and subverts, the idea that artificial intelligence threatens human ingenuity.
