This year, Isbell is certainly experiencing plenty. He is releasing two albums, has a role in Martin Scorsese's Killers of the Flower Moon, and is the subject of an HBO documentary.
Isbell, 44, broke onto the music scene with the rock band Drive-By Truckers in 2001 and went solo in 2007. But his 2013 album, Southeastern, changed his career not too long after he changed his life by becoming sober. Since then he has won four Grammys, become known as one of the country's leading singer-songwriters, and gained a legion of devoted fans, including Bruce Springsteen and the late John Prine.
Isbell is thoughtful and tenderhearted, but also decisive and tough. He listens closely and looks people in the eye when he speaks to them. Quick to laughter, he also displays a keen intelligence with an expansive vocabulary, whether he's discussing the complexities of allegory in songwriting or the worries of the modern age.
Those concerns are at the heart of his latest album, Weathervanes, a collection of 13 original songs that will be released June 9, marking his sixth studio collaboration with the 400 Unit.
"I think we're all worried about the same things, we just have different ideas about how to resolve those concerns. When I'm trying to tackle a big issue... if I go into it like I'm trying to tell a story ... then that's hard to argue with. It's hard to argue with one person saying, 'I am scared."
Denne historien er fra June 12, 2023-utgaven av Time.
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Denne historien er fra June 12, 2023-utgaven av Time.
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Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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