There's nothing remarkable in that, except that the dial of the Oris X Bracenet (2,350 Swiss francs, or $2,508) is made of upcycled ghost fishing nets recovered from the ocean. Luxury watches have always been about communicating more than the time, and what this one gets across is its maker's sustainability program.
Oris became climate neutral in 2021 and frequently collaborates with conservation organizations. It stands out against others in the Swiss watch industry, which have been slow to respond to consumer appetite for products with a strong environmental profile.
The scale of the ambivalence was exposed five years ago when the World Wide Fund for Nature (WWF) published a report examining Swiss watchmaking's social and environmental impact, concluding that it "does not meet good environmental standards." Well-known names like Rolex, Omega, and Patek Philippe were classified as "latecomers" and "nontransparent," while only IWC received praise. (Oris wasn't included in the report.)
Denne historien er fra March 27 - April 03, 2023 (Double Issue)-utgaven av Time.
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Denne historien er fra March 27 - April 03, 2023 (Double Issue)-utgaven av Time.
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Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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