Like The Mary Tyler Moore Show and both incarnations of One Day at a Time before it, Not Dead Yet follows a woman starting over after a big breakup. Journalist Nell Serrano, played by Jane the Virgin star Gina Rodriguez, introduces herself by way of a headline: LOCAL WOMAN, 37, RUINS OWN LIFE. Fresh off a five-year stint in London that ended in a broken engagement, she's back home in California, with a fussy roommate and a job writing obituaries for the local newspaper she left to chase romance. The twist? She meets the ghosts of her obit subjects.
With its mix of time-honored TV tropes and quirky, attention-grabbing flourishes, Not Dead Yet epitomizes an emerging generation of network comedies. As recently as the fall of 2021, it looked as if Big 5 broadcasters had given up on the format, which thrives on the perhaps outdated assumption that if the jokes are good enough, viewers of all demographics and political persuasions will come together to laugh at them. But a rapidly shifting TV landscape, and one that now allows most networks to efficiently monetize their programming on their own streaming platforms, seems to be encouraging networks to develop series that appeal to younger, more adventurous and progressive streaming audiences as well as if not more than the aging linear viewers who reliably flock to procedural franchises and game-show reboots.
Denne historien er fra February 13 - 20, 2023 (Double Issue)-utgaven av Time.
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Denne historien er fra February 13 - 20, 2023 (Double Issue)-utgaven av Time.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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THE NEW APPRENTICE
J.D. Vance's juggling act
Fear in Lebanon, and a new front
FIRST, ON SEPT. 17, THERE WERE exploding pagers.
The hunt for life on a moon of Jupiter begins
NEARLY HALF A BILLION MILES FROM EARTH, A WORLD may be stirring.