AISHA NYANDORO
45 FUNDING FAMILIES
By Laurene Powell
Jobs Meaningful change often begins with having the courage and curiosity to ask nonobvious questions. Aisha Nyandoro, the founding CEO of Springboard to Opportunities in Jackson, Miss., has become a national leader in the quest to end generational poverty by basing her work on a radically practical approach: listening to those most in need.
Nyandoro asked mothers living in poverty in Jackson what challenges they faced and learned that almost all of them could be solved simply with money. So, in 2018, she launched Magnolia Mother's Trust, a first-of-its-kind guaranteed-income program that provides participants-all Black mothers living in affordable housing-with $1,000 per month for one year, no strings attached, along with a college savings account for each of their children.
The concept is deceptively simple: give money to mothers in need and trust them with how to use it. The results have been life-altering-more than 400 women and their families have felt the lasting impact on their finances, parenting, health, and education, and the next cohort of the project will launch this fall. Aisha Nyandoro is challenging fundamental misconceptions about poverty, especially its association with race and gender. And she is helping to pioneer innovative policy changes that are making a difference.
ELIZABETH PRELOGAR
44 FORMIDABLE LITIGATOR
By Merrick B. Garland
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Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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