BOB IGER
Steering storytelling
BY MARY BARRA
For 100 years, the Walt Disney Co. has entertained, informed, and inspired people around the globe through the power of unparalleled storytelling. Bob Iger has guided the company to success for nearly two decades and is one of the best leaders I know.
There's a reason Bob remains one of the world's most admired CEOs. He has led landmark acquisitions, championed culture-defining films, launched innovative distribution platforms, and delivered strong financial results, all while never forgetting the people-the employees and the fans-who make it all possible. His return as CEO in 2022 ushered in a new era of transformation and creative excellence for the most magical company on earth.
His authenticity and pragmatism set him apart. "True authority and true leadership comes from knowing who you are and not pretending to be anything else," he said. I've personally learned so much from his leadership.
Barra is the CEO of GM and is on Disney's board of directors
Andrea Kritcher
BREAKTHROUGH SCIENTIST
By Alejandro de la Garza
Denne historien er fra April 24 - May 01, 2023 (Double Issue)-utgaven av Time.
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Denne historien er fra April 24 - May 01, 2023 (Double Issue)-utgaven av Time.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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