When obituary becomes opprobrium, history takes a step back. The malicious mudslinging against Manmohan Singh, who passed away last week at 92, by political pygmies and self-serving sycophants exposed all that is wrong with Indian public life. The soft-spoken and unassuming Singh, who served as prime minister for a decade, is suddenly being spotlighted by both friends and foes.
Those who dismissed him as Sonia Gandhi's spineless camp follower are inventing new adjectives for his stellar achievements and personal humility. For them, he was the role model of global leaders and a super-economist of international celebrity. Meanwhile, BJP & Co, who rarely missed a chance to ridicule Singh, flooded the media with tributes to his magnanimity, credibility and desirability among all communities, castes and religion. Singh has become king—but only after his death.
The vituperative verbal volleys between the ruling party and the opposition resemble a political badminton game where the dead dignitary is the shuttlecock. Sadly, even before Singh's body was moved from his residence to the AICC headquarters, he became a ceremonial trophy which everyone wanted to own—though only in spirit—so that they could grow their political capital.
The Congress, which conferred on him almost 10 posts from central government secretary to prime minister, saw his bier as the bed of reincarnation to revive its oxidised image of a party without a credible, respectable leader. It invoked him as its gift to the nation.
Within 24 hours, he acquired a status taller than Jawaharlal Nehru's. The entire Gandhi parivar turned up in full force at the cremation.
Denne historien er fra January 05, 2025-utgaven av The New Indian Express Thiruvananthapuram.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra January 05, 2025-utgaven av The New Indian Express Thiruvananthapuram.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Mime's cocktail of art, acrobatics leaves viewers on a high
An exciting cocktail of art and acrobatics marked the mime competition at the 63rd State School Youth Festival.
Showcases Malabar's Rich Culture
Kolkali with a Martial Touch
Malapulayattam showcases tribal heritage, leaves audience thrilled
THE TRIBAL folk art form malapulayattam at Nisagandhi captivated audiences with its vibrant display of rhythm and culture.
Kalolsavam Stages Become Crucibles Of Experimentation
Highly creative compositions based on off-beat characters of mythology were aesthetically presented on stage
Games, upcycled seating promote eco-friendliness
In a bid to inspire and encourage the younger generation to adopt eco-friendly habits, the Suchitwa Mission has launched an innovative anti-littering campaign with interactive games and upcycled seating made from discarded tyres to sensitise the students taking part in the State School Art Festival.
It's 'A' hat-trick moment for Dwidhy
FOR DWIDHY K S, a Class XII student of Kanikkamatha English Medium Convent Girls HSS, Palakkad, achieving an A grade in the English recitation competition at the Kerala State School Arts Festival has become a hat-trick moment.
NRV HairCure Hair Transplant Centre
Dr 'Bro': Affectionately Yours for Hair Cure
Euphoria Fills Food Pavilion As CM Makes Surprise Visit
The visit of the CM turned out to be an unforgettable moment for the students and officials
Mono act artists come up with heart-touching performances
ENACTING those moments on stage, he once again relived the trauma of a tragedy that shattered the lives of thousands of people around him. Hanin Ahmed, a Class 10 student from GHSS Moolankaavu, Wayanad, recreated the Chooralmala disaster that killed hundreds and left several more orphaned.
Chendamelam Beats Shatter Gender Stereotypes
In what is seen as a welcome move, more and more girls are taking up percussion music of late. Chendamelam witnessed the presence of girls at the arts festival